Lesley Dill at Nohra Haime Gallery

Lesley Dill describes Emily Dickinson’s poems as having a physical effect on her as she experienced ‘an ocean of images’ while reading.  Similarly, Dill’s series of sculptural characters now on view at Nohra Haime Gallery in Chelsea are covered and overpowered by their own words.  The show includes figures like John Brown and Sojourner Truth – who were driven by powerful experiences of the spiritual world. (On view in Chelsea through March 17th).

Lesley Dill, [foreground] Northern Blast (Edward Taylor), oil stick, ink, thread on fabric, wooden shoe lasts, 100 x 23 x 1 inches, 2017 and [background] Omnipotence Enough (Emily Dickinson), oil stick on fabric, 95.5 x 22 x 1 inches, 2017.

Lin Tianmiao at Galerie Lelong

Like fuzzy slippers or stuffed animals, Beijing-based artist Lin Tianmiao’s woven wool forms look comfortable and harmless. On closer inspection, this room-sized installation of text on carpets in English and Chinese at Galerie Lelong represents a collection of words used to describe women, from the derogatory to the empowering. Titled ‘Protruding Patterns,’ the piece encourages visitors to walk among ideas that have manifested as form. (On view through Oct 21st in Chelsea)

Lin Tianmiao, installation view of ‘Protruding Patterns’ at Galerie Lelong in Chelsea, Sept 2017.

Robert Barry at Mary Boone Gallery

Conceptual art pioneer Robert Barry uses language to transport viewers; in this handsome installation, cast resin letters painted a vibrant red form words like ‘intimate,’ ‘apparent’ that evoke strong associations. (At Chelsea’s Mary Boone Gallery through April 23rd).

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Robert Barry, ‘Red Line,’ dimensions variable, paint/cast resin, 2008/2016.

Christian Marclay at Paula Cooper Gallery

Christian Marclay’s 24-hour video of collaged clock-related film clips from 2010 was so engaging that his subsequent photo projects and onomatopoeia paintings have sometimes seemed bland by comparison. The standout piece in his latest solo show at Chelsea’s Paula Cooper Gallery corrects that trend, however, by animating words from cartoons in an eye-popping immersive installation that, though soundless, communicates loudly. (Through Oct 17th).

Installation view of Christian Marclay’s ‘Surround Sounds,’ at Paula Cooper Gallery, September 2015.

KRIWET in ‘All Watched Over’ at James Cohan Gallery

In colors that suggest political banners, Dusseldorf-based artist KRIWET created this bold ‘comic strip’ in 1970, using letters to create mental pictures. It is part of the group exhibition ‘All Watched Over’ at Chelsea’s James Cohan Gallery, which muses on the power of futuristic technology to improve life. (Through Aug 7th)

KRIWET, Comicstrip, 1970.