Like fuzzy slippers or stuffed animals, Beijing-based artist Lin Tianmiao’s woven wool forms look comfortable and harmless. On closer inspection, this room-sized installation of text on carpets in English and Chinese at Galerie Lelong represents a collection of words used to describe women, from the derogatory to the empowering. Titled ‘Protruding Patterns,’ the piece encourages visitors to walk among ideas that have manifested as form. (On view through Oct 21st in Chelsea)
Best known for ‘paintings’ composed of hundreds of cut pieces of colorful cloth arranged on the floor, Polly Apfelbaum has expanded to the walls with colorful, abstract ceramic panels that complement carpets bearing a graphic from a 1963 book titled ‘The Potential of Woman.’ Though the female heads on the floor have no mouth (having been spoken for in the book), the riotously colorful wall-mounted ceramic sculptures – which Apfelbaum explains are like portraits – have plenty to say. (At Alexander Gray Associates in Chelsea through Oct 21st).
98 year old mathematician, physicist and NASA scientist Katherine Johnson strikes a regal pose in a photograph by Annie Leibovitz, who has relaunched her ‘Women’ series, highlighting the achievements of remarkable women. Images from Leibovitz’s the series are currently on view in the gym at Chelsea’s former women’s prison, offering an uplifting vision of women’s many roles in society. (Sponsored by UBS, hosted by the NoVo Foundation and Lela Goren Group on view through Dec 11th).
Polish painter Paulina Olowska’s series of female figures suggest strong personalities; this shadowy character is based on gardener Valerie Finnis, who confessed to having once put plants before people. (At Metro Pictures in Chelsea through Dec 22nd).
Press images of 1920s movie stars inspired Cindy Sherman’s latest body of work – photos of women who have aged out of the young starlet role but who still wear cupid lips, smoky eye shadow and wistful expressions. (At Metro Pictures in Chelsea through June 11th).