Jay DeFeo at Paula Cooper Gallery

After completing her iconic 2,000+ lb painting ‘The Rose,’ in 1966, Bay Area artist Jay DeFeo delved into photography, creating the 70 photographs, collages and photocopies now on view at Paula Cooper Gallery in Chelsea.  Like ‘The Rose,’ DeFeo’s photographs feature complex textures, moody tonal contrasts and nature-related imagery in straight shots of mushrooms on a fallen tree or chemigrams – abstract images created in the darkroom.  Among the representational works, a single resting hand seen from the side or a section of an illuminated lampshade pictured from below against a black background convey stillness while this powerful shot of rushing water embodies nature’s dynamism and power.  (On view in Chelsea through Oct 28th).

Jay DeFeo, Untitled, gelatin silver print, 6 x 8 7/8 inches, 1973.

Tauba Auerbach at Paula Cooper Gallery




Certain ornamental patterns (waves, helices) appear across cultures, perhaps pointing to fundamental structures of our universe. New York artist Tauba Auerbach delves into these forms in a display of sculptures with rotating shapes titled ‘Altar/Engine.’ Like a display of sacred objects or an explosion diagram of an engine, these 3D printed shapes relate to twisting wave forms inscribed in the paintings behind. (At Chelsea’s Paula Cooper Gallery through Feb 13th).

Tauba Auerbach, Altar/Engine (foreground), 3D printed nylon and plastic, an array of several dozen parts ranging from 18 x 18 x 10 inches, 2015.


Greg Bogin at Marlborough Gallery

The neon color and curvy, wave-contoured form of Greg Bogin’s shaped canvas ‘Sunny disposition (oasis)’ is a summery-feeling merger of beach culture and minimal abstraction. Like Martin Puryear’s Phrygian cap sculptures which it resembles, it suggests freedom, but more of a sand-between-the-toes variety. (At Marlborough Gallery Chelsea through July 31st).

Greg Bogin, Sunny disposition (oasis), synthetic paint and urethane on canvas, 72 x 73 inches, 2014.