Sarah Cain pushes the boundaries of what painting can be, literally extending beyond the canvas onto gallery floors and walls and adopting unexpected materials like sequined backpacks and an easy chair. Her current solo show at Broadway in Tribeca features traditional, framed 2-D artworks but also this installation, a combination of expressionist and hard-edge painting that invites the audience to step in and feel the color. (On view through Oct 16th).
Shirt sleeves, pant legs, scarves and other clothing fragments peek out intriguingly from between layers of red brick at the entrance to Karyn Olivier’s current solo show at Chelsea’s Tanya Bonakdar Gallery. On the reverse side of this floor to ceiling wall, the rest of each garment hangs in a mass collage of color and pattern Titled ‘Fortified,’ the piece suggests a barrier erected and made strong by the people. (On view in Chelsea through July 30th).
After encountering a box of photos of the Berlin Wall taken by East German border guards in the mid-60s shortly after the wall was erected, photographer Arwed Messmer and writer Annett Groschner turned their research toward the topography of the 140km long structure, resulting in the sobering images now on view at Chelsea’s Walther Collection. Thirty years after the fall of the Wall, the photos speak to a failed effort at social control. This grid of ladders left behind in successful escape attempts, are an uplifting element in a show that otherwise expresses the grim realities of the wall. (On view through April 25th).
It took a good part of the summer for Uruguayan artist Marco Maggi to install his immersive installation at Josee Bienvenu Gallery in Chelsea, yet it’s possible to visit the gallery and not even notice the artwork. Maggi employed his signature technique of cutting tiny geometric shapes and strips from adhesive paper and adhering them to the wall in his latest show, but he keeps the gallery lights off, forcing viewers to employ flashlights to hunt for the work. As the show’s subtitle, ‘From Obscurantism to Enlightenment’ suggests, Maggi wants viewers to enjoy the process of looking, slowing down and letting enlightenment unfold. (On view through Nov 11th).
Mary Heilmann’s red and black ceramic sculpture ‘Curl’ seems to defy its title with its angular panels, yet each segment dynamically spins around a central core like a step on a spiral staircase seen from above. Each tile evokes a riser with three treads or a chunky version of the Egyptian deity Isis’ throne in Constructivist colors that make a bold statement. (On view at Gladstone Gallery’s 24th Street Chelsea location through July 26th).
