Tag: U.S.

Mitch Epstein at Sikkema Jenkins & Co.

‘Property Rights,’ Mitch Epstein’s latest photography series focuses on contested land in the U.S., from protests against the Dakota Access Pipeline at Standing Rock to the conflict between immigration activists and self-organized patrols along the southern border.  Though each location is defined by its tensions, Epstein’s photos are marked by their calmness and sensitivity to the experience of everyday people navigating the impact of larger forces on their lives.  (On view at Sikkema Jenkins & Co. in Chelsea through Oct 5th).

Mitch Epstein, Border Wall, Nogales, Arizona 2017, chromogenic print, 25.125 x 33.5 inches, 2017.

Victoria Sambunaris at Yancey Richardson Gallery

Tankers arrayed like a minimalist piece of land art in this photograph by Victoria Sambunaris turn an otherwise drab landscape near Salt Lake City into study in form and function.  Ringed by a barely visible mountains and spread out under voluminous clouds, the trains in their tight formation dominate the natural world in this image.  (On view at Yancey Richardson Gallery through May 11th).

Victoria Sambunaris, Untitled (Tankers), Salt Lake City, chromogenic print, 40 x 56 inches, 2018.

JR at Galerie Perrotin

French street artist JR is back in town this summer with a show of photography, sculpture and installation that continues his outspoken advocacy for vulnerable populations. In this aerial overview, we see the eyes of Mayra, an undocumented immigrant who arrived in California as a child.  Used as backdrop for a picnic on both sides of the US/Mexican border, the image counters division with unity.  (On view at Galerie Perrotin on the Lower East side through August 17th).

JR, Migrants, Mayra, Picnic across the border, Quadrichromie, Tecate, Mexico – USA, 4-color print on paper, mounted on cotton canvas, wooden frame, ½ offset printing plate, h 92 1/8 x l. 186 5/8 inches, 2018.

Nari Ward at Lehmann Maupin Gallery

The pyramid on the back of the U.S. dollar bill – symbolizing long lasting power – has been rendered in outlines of U.S. currency in this piece by Nari Ward (seen here in detail). The paper money edges are askew, however, suggesting an unsound structure, while cowry shells (once used as currency elsewhere in the world) create straight and sound lines. (At Lehman Maupin Gallery in Chelsea through August 25th).

Nari Ward, detail of ‘Providence Spirits (Gold)’, U.S. currency edges, cowrie shells, wooden rolling ladders, gold powder, gel medium, indelible ink, and overproof white rum on canvas stretched over wood panel, 96 x 96 inches, 2017.

Richard Misrach and Guillermo Galindo at Pace Gallery

After years of traveling to the U.S./Mexico border, photographer Richard Misrach and experimental composer Guillermo Galindo joined forces to create sobering images and sculpture inspired by struggles of migrants determined to overcome the border’s many obstacles. This installation view of their exhibition at Pace Gallery in Chelsea features an instrument made by Galindo of items recovered from the region and Misrach’s photos of tires drug behind border patrol vehicles to make a path in which footprints can be detected. (On view through August 18th.)

Installation view of ‘Border Cantos’ by Richard Misrach and Guillermo Galindo at Pace Gallery, June 2017.