A tent of wet cement appears to either disgorge or swallow a lush spill of mosses in Brazilian artist Thiago Rocha Pitta’s ‘The First Green,’ an installation at Marianne Boesky Gallery in Chelsea. Though the scene appears to be a static standoff between the survival of man or nature, Rocha Pitta avoids thinking in binaries. On the wall, frescos resemble ancient microorganisms performing photosynthesis, producing oxygen, and continuing a process that has gone on for billions of years. (On view through April 29th).
