Fiona Rae at Miles McEnery Gallery

Typically, Fiona Rae’s ambiguous painted forms suggest real-world objects but elude identification.  Further complicating the work, both gestural and geometric abstraction appear on the same canvas, a surprising combination geared to upend our expectations.  Her latest work at Miles McEnery Gallery distills these artistic strategies into paintings featuring distinctly formed clusters of organic and geometric shapes set against a spare white background.  Titles reveal that each grouping is a word from a phrase taken from a written source, from pop music to Shakespeare.  This airy assemblage reads, ‘I’ve seen things you people wouldn’t believe,’ a line from the movie Bladerunner expounding on futuristic technological marvels.  (On view in Chelsea through Nov 26th).

Fiona Rae, I’ve seen things you people wouldn’t believe, oil and acrylic on linen, 60 x 50 inches, 2022.

Barbara Kruger – MoMA and David Zwirner Gallery

Have you seen this eye-grabbing new installation by Barbara Kruger in the Museum of Modern Art’s atrium?  Don’t miss the rest of the show at David Zwirner Gallery in Chelsea, where the gallery’s three adjoining spaces on 19th Street showcase work from a recent exhibition of Kruger’s work at the Art Institute of Chicago and the LA County Museum of Art.  Join me on a Chelsea gallery tour to see the show before it closes on Aug 12th.

Barbara Kruger, installation view of Thinking of You. I Mean Me. I Mean You at The Museum of Modern Art, July 2022.

Rosa Barba at Luhring Augustine Gallery

Rosa Barba’s ‘Language Infinity Sphere,’ a form created from old letterpress blocks now on view at Luhring Augustine’s Tribeca space, speaks with its circular form to the ongoing output of these blocks over the years. Other text-related work in the show includes handwritten words on a filmstrip that rotates around a lightbox cube and a 35mm film depicting images and text from the Library of Congress’ massive campus, the largest media archive in the world.  Language appears in unexpected forms in this show, even as marks on the landscape in a film showing disposal sites for radioactive material in the western U.S.  (On view through May 21st).

Rosa Barba, Language Infinity Sphere, lead letters on steel, unique, diameter 18 1/8 inches, 2018.

Nora Turato at 52 Walker

‘Follow me you coward,’ reads an arresting command on the wall of Nora Turato’s current show at 52 Walker, along with the cliched, ‘a lifetime of action and adventure with no clock to punch,’ and tantalizing ‘all is forgiven.’ The show’s title, ‘Govern Me Harder,’ a puzzlingly submissive, perhaps masochistic demand was inspired by a sticker she saw in an Amsterdam dog park; other expressions were gathered from news, ads, online sources and, says the artist, her own thoughts.  In this enamel on steel panel, the last word of the sentence, ‘I sold it for million bells,’ derails expectations of a million dollar sale, leaving us in a thought-provoking lurch.  (On view in Tribeca through July 1st.)

Nora Turato, i sold it for million bells, vitreous enamel on steel in four (4) parts, overall: 94 ½ x 75 5/8 inches, 2022.

Ghada Amer at Marianne Boesky Gallery

“Do not fit into the glass slipper like Cinderella did, shatter the glass ceiling,” reads the text (quoting Indian actor Priyanka Chopra?) covering Ghada Amer’s portrait of her friend, Elizabeth.  Though Amer has changed her subjects from women in erotic magazines to friends, family and collaborators, she has not altered her habit of citing truisms from a feminist perspective.  Her latest Chelsea show – her first at Marianne Boesky Gallery – features texts intended to build up women and their capabilities.  (On view through Oct 23rd).

Ghada Amer, Portrait of Elizabeth, acrylic, embroidery, and gel medium on canvas, 2021.