Alicja Kwade at the Metropolitan Museum of Art

Berlin-based Polish artist Alicja Kwade explains that the invitation to install a piece on the roof of the Metropolitan Museum of Art was like being asked to crown the summarized history of humanity in the galleries below.  In response, she created a steel framed structure that symbolizes human systems and which incorporates stones sourced from India, Finland, Italy, China and beyond.  From the roof, viewing the New York’s rising skyline is unavoidable; Kwade draws in the surroundings as part of her artwork, inviting visitors to consider neighboring buildings as symbols of capitalism, a structure that can be examined as readily as the ones she erects. (On view through Oct 27th).

Installation view of Alicja Kwade’s ‘Parapivot’ at the Metropolitan Museum of Art, summer 2019.

Tauba Auerbach at Paula Cooper Gallery

Helix, wave and vortex forms have inspired Tauba Auerbach to create an array of painting, glass sculpture, woven work, video and more informed by natural forms and logical systems.  The ‘Ligature Drawings’ in her latest solo show at Chelsea’s Paula Cooper Gallery consider joined and curving forms, exploring language as a system of structured meaning.  (On view through Dec 15th).

Tauba Auerbach, installation view of Ligature Drawings, ink on paper with date stamp, each approx. 34 x 27 inches, 2016 – ongoing.

James Siena at Pace Gallery

James Siena continues to produce mesmerizing patterned images with his latest show of drawings at Pace Gallery. However, instead of repeating an initial mark that establishes a rule system, Siena’s new work glories in interlocking patterns that boggle the mind with their detail and their complex consideration of space. (At Pace Gallery’s 25th Street location through Feb 11th).

James Siena, Manifold X, ink and watercolor on paper, 11 5/8 x 9 ¼ inches, 2015.
James Siena, Manifold X, ink and watercolor on paper, 11 5/8 x 9 ¼ inches, 2015.

Benjamin Edwards at Kravets Wehby Gallery

Does greater technology result in greater progress?  Machines and giant-sized virtual humans tower over futuristic cities in Washington D.C.-based painter Benjamin Edwards’ provocative new series ‘System,’ ominously answering in the negative and suggesting that chaos will overtake us. (At Kravets/Wehby Gallery through May 11th).  

Benjamin Edwards, Toy, acrylic on canvas, 2012.