Woomin Kim in ‘Beach’ at Nino Meier Gallery

Curious crustaceans, a creepy-cute sea creature in the form of a cat and plenty of sandy beach landscapes feature in Nino Meier’s two-gallery summer group show ‘Beach,’ but Woomin Kim’s textile is a standout for its texture and color, a reference to the Korean markets that inspire her fabric collage.  Places for shopping, meeting friends and, here, enjoying seafood, Kim’s market scenes celebrate a beloved institution. (On view through Aug 5th).

Woomin Kim, Shijang: SusanMul (seafood), fabric, 2022.

Woomin Kim at Susan Inglett Gallery

New York-based artist Woomin Kim describes Korean street markets with nostalgia, as places to hang out with friends or enjoy snacks.  Accordingly, her textile works on view at Chelsea’s Susan Inglett Gallery depict market stalls as colorful and inviting places to buy everyday items or marvel at the abundance and variety of goods.  Here, a ribbon store offers towers of stacked wares, alluring in their patterns and possibilities.  (On view through July 29th.)

Woomin Kim, Shijang: Ribbon Store, fabric, 48 x 55”, 2021.

Robyn O’Neil at Susan Inglett Gallery

‘American Animals,’ an uncannily orderly yet apocalyptic vision of the heads of white men subsumed by waves of water or hair, dominates Robyn O’Neil’s current solo show at Susan Inglett Gallery.  Known for drawings that feature multitudes of middle-aged men wreaking various kinds of havoc, O’Neil suggests with this enormous drawing that the men are receiving their comeuppance, perhaps from a feminine force engulfing them with hair or from nature, overcoming them with waves of water.  Who are the men?  Why is their response to calamity so strangely passive?  O’Neil keeps us guessing with provocative questions. (On view in Chelsea through June 4th).

Robyn O’Neil, American Animals, graphite on canvas, 103 x 140 inches, 2020 – 2022.

Channing Hansen at Susan Inglett Gallery

‘60s performance art gets a radical update in LA-based artist Channing Hansen’s algorithm-derived hand-knit constructions at Susan Inglett Gallery.  Conceived of as instructions or ‘scores,’ each artwork in his latest solo show is a kind of event; the 2-D pieces are shaped by an algorithm trained to produce ‘Channing Hansen artworks,’ based on the characteristics of his previous work.  (On view in Chelsea through Oct 16th. Masks required).

Channing Hansen, Tangible Engine, California Variegated Mutant (Myth), California Variegated Mutant (Rhea), California Variegated Mutant (Sriracha), California Variegated Mutant (Talia), Jersey Wooly (Miss Maple), Romeldale (January), Romeldale (Qassiopeia), Romedale (Saffron), Romedale (Shelby), and Teeswater (F2019-0339) fibers; Tussah silk, and Mulberry silk; holographic polymers, and photo-luminescent recycled polyester fibers; Ingeo corn, and pineapple fibers; Sequoioideae Redwood, 50 x 45 in., 2020.

Benjamin Degen at Susan Inglett Gallery

A body melts and a blanket rises into colorful foothills in this painting celebrating the pleasures of the senses and the outdoors by Benjamin Degen at Susan Inglett Gallery.  In other works, bathers visit the beach at night to watch the moon while nature creates fabulous patterns in the movement of stars, rain and ocean water.  (On view by appointment in Chelsea through through July 24th).

Benjamin Degen, Rise, oil and spray enamel on canvas, 30 x 24 inches, 2019.