Edward Burtynsky at Sundaram Tagore Gallery

Renowned Canadian photographer Edward Burtynsky has spent a lifetime documenting mankind’s impact on the planet, picturing German coal mines, vast industrial landscapes in China and more recently, salt pans, gold tailings, oil bunkering and more in sub-Saharan Africa.  His current exhibition of photos shot in Kenya, Nigeria, South Africa and beyond at Chelsea’s Sundaram Tagore Gallery includes otherworldly landscapes created by the harvesting of salt, including these Salt Ponds near Naglou Sam Sam in Senegal. In shallow, man-made ponds, microorganisms change color as evaporation causes salinity to increase, resulting in a spectacular, painterly display. (On view in Chelsea through April 1st).

Edward Burtynsky, Salt Ponds #4, Near Naglou Sam Sam, Senegal, pigment inkjet print on Kodak Professional Photo Paper, 48 x 64 inches, 2019.

Anila Quayyum Agha at Sundaram Tagore Gallery

Inspired by Islamic art and architecture, Anila Quayyum Agha’s pattern-based practice celebrates the intricacies and pleasures of floral and geometric design.  Her installation Beautiful Despair, commissioned by the Amon Carter Museum of American Art in Fort Worth, Texas, literally immerses the viewer in patterns that are projected from a central cube onto the floor, walls and ceiling of a room at Sundaram Tagore Gallery.  With the piece, Quayyum Agha commemorates those lost to Covid (including her sister) while expressing hope for the future.  (On view in Chelsea though Oct 8th).

Anila Quayyum Agha, Beautiful Despair, lacquered steel and halogen bulb, 60 x 60 x 60 inches, 2022.

Hiroshi Senju at Sundaram Tagore Gallery

Sublime images of cliff faces by Japanese artist Hiroshi Senju (as seen here in detail) begin as mulberry washi paper, sourced from a specialist paper maker who can only make the paper in winter. After creating texture by hand-rumpling the large paper sheets, Senju uses handmade brushes and natural and synthetic pigments to render the natural world as apparition. (On view at Sundaram Tagore Gallery in Chelsea through Jan 13th).

Hiroshi Senju, detail of At World’s End #11, acrylic and natural pigments on Japanese mulberry paper mounted on board, 63.8 x 51.3 inches, 2017.

Hassan Massoudy at Sundaram Tagore Gallery

Iraqi-born, Paris-based calligrapher Hassan Massoudy lauds the ‘gesture of one man towards another man’ as ‘better than pearls and coral’ in this elegant ink and pigment drawing at Sundaram Tagore Gallery. (In Chelsea through March 25th).

Hassan Massoudy, untitled “Better than pearls and coral is the gesture of one man towards another man” – Ibn Al-Habbab 8th c., ink and pigment on paper, 29.5 x 21.7 inches, 2006.

Kim Joon at Sundaram Tagore

Using digital processes, Korean artist Kim Joon creates amazing conflations of human bodies, ‘tattooed’ with animal skins, logos and designs that touch on individual identities while creating anonymous abstract sculptures. (At Sundaram Tagore Gallery in Chelsea).

Kim Joon, Somebody 005, digital print, 2014.