Tag: sound art

Oliver Beer at Almine Rech Gallery

Inspired by 17th century German scholar Athanasius Kircher’s cat organ, which elicited sounds made by cats, British artist Oliver Beer created ‘Cat Orchestra,’ a musical instrument crafted from 37 found objects in the form of hollow cat vessels.  Now on view at Almine Rech Gallery’s Tribeca space, the piece’s sound is activated by a keyboard that turns on microphones in each vessel to produce resonances that together form an ethereal musical performance.   Motivated to find music where it’s least expected, Beer awakens viewers to possibilities everywhere.  (On view through April 27th).

Oliver Beer, installation view of Cat Orchestra, 37 hollow cat vessels and sculptures, plinths, microphones, speakers, audio equipment, dimensions variable, 2024.

Camille Norment at the Dia Art Foundation

Norway-based American artist Camille Norment conceives of social relationships past and present in terms of sound in two new commissions at the Dia Art Foundation in Chelsea.  For this untitled piece, microphones in the gallery pick up ambient sound and send it down the stem and into the bell below.  As sound creates more sound and feeds back into the loop, auditory events in the room become, in Norment’s words, “an exponential saturation of voice, existing and experienced as a negotiation of control.” (On view through Jan 2023).

Camille Norment, Untitled, brass, sine waves, autonomous feedback system, and archival radio static, 2022.

Janet Cardiff and George Bures Miller

Stay near the wall and the room is silent; approach the table and light sensors detect your presence, setting off a cascade of sound from an array of 72 bare speakers. The effect of Canadian sound artists Janet Cardiff and George Bures Miller’s ‘Experiment in F# Minor’ is magical – a musical experience created for us to create. (In Chelsea at Luhring Augustine Gallery through June 11th).

Janet Cardiff and George Bures Miller, installation view of ‘Experiment in F# Minor,’ 72 channel audio installation including speakers, photosensors, and wooden worktables, edition of 3 and 1 artist’s proof, 96 1/8 x 72 x 30 inches, 2013.
Janet Cardiff and George Bures Miller, installation view of ‘Experiment in F# Minor,’ 72 channel audio installation including speakers, photosensors, and wooden worktables, edition of 3 and 1 artist’s proof, 96 1/8 x 72 x 30 inches, 2013.

Susan Philipsz at Tanya Bonakdar Gallery

In British sound artist Susan Philipsz’s new installation at Chelsea’s Tanya Bonakdar Gallery, boldly redacted FBI documents overlay quickly penciled archival scores by composer Hanns Eisler. An LA-based refugee from Nazi Germany, his branding as a communist prevented his scores from accompanying Charlie Chaplin’s ‘The Circus.’ Here, wall-mounted documents like this one are joined by a 12-channel sound installation that plays selections from his film compositions, daring viewers to find a note of sedition. (Through Feb 14th).

Susan Philipsz, from the Part File Score series, digital print and silk screen print on canvas, 74 ½ x 59 x 1 2/3 inches, 2014.

Phil Collins at Tanya Bonakdar Gallery

British artist Phil Collins set up a phone booth in a German homeless shelter and offered its guests a deal – in exchange for free local and international calls, they allowed the artist to record their conversations and commission songs from the transcripts.  At Tanya Bonkadar Gallery, visitors are invited to listen to the results in individual sound booths.  (In Chelsea through October 19th).  

Phil Collins, installation view of ‘my heart’s in my hand and my hand is pierced, and my hand’s in the bag, and the bag is shut, and my heart is caught,’ sound installation, 2013.