Eric Fischl at Skarstedt

Though the pool is enticing, this isn’t a tranquil summer scene. Eric Fischl’s ‘Daddy’s Gone, Girl’ suggests that the woman in the voluminous black dress is in mourning for an absent father and maybe a little unmoored. As an update on Fischl’s well-known 1984 painting Daddy’s Girl, it’s a meditation on loss and isolation. (At Skarstedt’s Chelsea location through June 24th).

Eric Fischl, Daddy’s Gone, Girl, oil on linen, 78 x 107 inches, 2016.

Thomas Schutte in ‘Sculpture’ at Skarstedt Gallery

Part of a series of reclining nudes that recall iconic artworks from Manet’s Olympia to Henry Moore’s posed figures, Thomas Schutte’s female figure appears to have been pressed down, as if made of clay and not steel. She is defined by compromise – the antithesis of the classical norm. (At Skarstedt Gallery through Dec 19th).

 Thomas Schutte, Stahlfrau Nr. 4, cast steel on steel table, 13 ¾ x 86 ½ x 47 ½ inches, 1999.

George Condo at Skarstedt

George Condo’s Picassoid jumbling of classic Condo facial features on the left and a sketchy blond Ab Exp muse on the right make an arresting couple at the entrance to Skarstedt’s Chelsea gallery. They’re also an amusing counterpart to the current Picasso show down the block at Gagosian Gallery. (In Chelsea through Dec 20th)

George Condo, Double Heads on Blue and Silver, acrylic, charcoal, pastel on linen, 78 x 110 inches, 2014.