Simen Johan at Yossi Milo Gallery

Simen Johan’s dramatic photographs of animals are convincing at first glance, then give viewers pause to consider.  Johan’s skillful digital manipulations allow a panda to appear ready to nurse furry little black and white creatures which turn out to be skunks, while in another image, a longhorn bull poses comfortably in an Alpine scene, though the animal may be more at home in Texas.   In its original setting, this wolf was having its belly rubbed; in the gallery, its blank look and menacing teeth capitalize on preconceived ideas about the animal’s ferocity.  (On view in Chelsea at Yossi Milo Gallery through Dec 7th).

Simen Johan, Untitled #195, digital c-print, image: 49 ½ x 40 inches, 2018.

Simen Johan at Yossi Milo Gallery

Simen Johan’s stunning image of sea lions (seen here in detail) has the creatures rising to the right in a digitally manipulated crescendo of activity. The composition and atmospheric background recalls Gericault’s famously dramatic 19th century shipwreck scene, ‘The Raft of the Medusa,’ though it is animals that embody intense emotion. (At Yossi Milo Gallery in Chelsea through Aug 10th).

 

Simen Johan, Untitled #188, digital C-Print, 71 x 94 ¼, 2015.
Simen Johan, Untitled #188, digital C-Print, 71 x 94 ¼, 2015.

Simen Johan at Yossi Milo Gallery

New York based-Scandinavian artist Simen Johan’s latest photos from his ongoing series, ‘Until the Kingdom Comes’ are stronger than even, offering seamless images of animals inserted into landscapes that would be alien to them, as with these giraffes (shot in a U.S. zoo), whose heads are lost in the fog of landscapes from Turkey, Bali & Iceland.  (At Chelsea’s Yossi Milo Gallery through Dec 7th).  

Simen Johan, Untitled #172, digital c-print, 2013.