Tonico Lemmos Auad at CRG Gallery

Born in the Northern Brazilian city of Belem, home to an annual religious festival that draws millions of participants, artist Tonico Lemmos Auad creates a series of attractively simple, handmade, crocheted forms inspired by votive vessels. (At CRG Gallery on the Lower East Side through Oct 23rd).

Tonico Lemmos Auad, Unruly Architecture/Red, linen, cotton, wool, wood and bronze, dimensions variable, 2016.
Tonico Lemmos Auad, Unruly Architecture/Red, linen, cotton, wool, wood and bronze, dimensions variable, 2016.

Chuck Close at Pace Gallery

For his latest show at Pace Gallery’s 534 West 25th Street location, Chuck Close continues to replicate mechanical processes by hand in huge self-portraits painted square by square in thin washes of red, blue or yellow paint. (Through Oct 17th).

Chuck Close, Self-Portrait IV, oil on canvas, 96 x 84 inches, 2014-15 (right) and Self-Portrait III, oil on canvas, 101 5/8 x 84 inches, 2014 (to the left).

Isamu Noguchi at Pace Gallery

Isamu Noguchi’s red ‘Octetra’ sculpture from 1968 is a standout for color alone in Pace Gallery’s current exhibition of the 20th century modernist’s sculpture. Designed for a playground, it was inspired by Noguchi’s regard for his friend Buckminster Fuller’s notion of the tetrahedron as the primary building block of nature. (At Pace Gallery’s 508-510 West 25th Street location through March 21st).

Isamu Noguchi, Octetra, cement, paint, 8’ 7 ½ inches x 9’ 10” x 8’ 7,” 1968.

Alexander Calder at Paul Kasmin Gallery

Though one of Alexander Calder’s better-known mobiles hangs above, it’s this sheet metal llama that catches the eye at Paul Kasmin Gallery in Chelsea. Included in an exhibition which partially recreates a groundbreaking show of New York art curated by Henry Geldzahler in 1969, its flat monochrome links it to surrounding minimal abstractions by Warhol, Noland, Flavin and more. (Through March 8th).

Alexander Calder, Moon Faced Llama (blue and red), painted sheet metal, 1971.

Martin Puryear at Matthew Marks Gallery

The Phrygian cap, worn as a symbol of emancipation in the French revolution and before, inspired American sculptor Martin Puryear’s new work at Chelsea’s Matthew Marks Gallery. As a series of sculptures that point to freedom, Puryear’s work goes beyond formally attractive objects to suggest justice as its own form of beauty. (Through Jan 10th).

Martin Puryear (foreground), Big Phrygian, painted red cedar, 2010-2014.