This nearly ten-foot high bamboo and rattan sculpture by Sopheap Pich is a standout in the second iteration of the Cambodian artist’s two-part solo show at Tyler Rollins Fine Art in Chelsea. Inspired by a Louis MacNeice poem about reconciling opposites, Pich suggests seed pods and lungs with a piece that is 2-D, 3-D and larger than life. (On view through April 19th).
Silhouetted against natural light, the translucent petals of a blossoming flower from the cannonball tree contrast tightly shut pods in the foreground, but each indulges our pleasure in organic forms. Cambodian artist Sopheap Pich’s largest flowering plant sculpture to date sprawls across Tyler Rollins Gallery’s floor in Chelsea, recalling trees planted near Buddhist temples. Though they resemble the sal tree associated with Buddha’s birth, the plants arrived in Southeast Asia from the Americas via Sri Lanka, a reminder of complicated histories. (Through Feb 4th).
Sopheap Pich’s bamboo and rattan flower is made of natural materials but resembles computer-generated imagery. In fact, this flower – from the cannonball tree – has personal meaning to the artist. It represents the tree that sheltered Buddha during his birth and is found near Buddhist temples and Pich’s home. (At Tyler Rollins Fine Art in Chelsea through Aug 26th).
Palm tree paintings made in LA artist Yutaka Sone’s garden and rattan palm trees created by craftspeople in Mexico point to the artist’s exploration of Aztec history in Michoacan, Mexico, the subject of Sone’s upcoming film. (At David Zwirner Gallery through Feb 20th).
Yutaka Sone, Sky and Palm Tree Head #5, (on the wall), acrylic on canvas, 85 x 102 ½ inches, 2013. In foreground, two ‘Tropical Compositions’ in rattan, metal and paint, 2011 and 2012.
Sopheap Pich, Rang Phnom Flower No. 2, bamboo, rattan, metal wire, 30 ¾ x 85 ½ x 43 ¼ inches, 2015.
