Tag: pyramid

Sam Gilliam at Pace Gallery

On a recent visit to Basel, Switzerland, iconic Color Field painter Sam Gilliam was struck by how a recent influx of African immigrants has changed the city’s demographics.  Gilliam began pondering architectural forms from the African continent; a variety of pyramidal forms and circular buildings (e.g. Great Zimbabwe) come to mind on entering his arrangement of beautifully toned wood and aluminum sculptures at Pace Gallery.  Resting on wheels, the pieces have the potential to be moved (though not by gallery visitors) – an improvisation like a musical composition. (On view in Chelsea through Dec 19th. Masks and social distancing are required).

Sam Gilliam, installation view of Existed Existing at Pace Gallery, Nov 2020.

Nari Ward at Lehmann Maupin Gallery

The pyramid on the back of the U.S. dollar bill – symbolizing long lasting power – has been rendered in outlines of U.S. currency in this piece by Nari Ward (seen here in detail). The paper money edges are askew, however, suggesting an unsound structure, while cowry shells (once used as currency elsewhere in the world) create straight and sound lines. (At Lehman Maupin Gallery in Chelsea through August 25th).

Nari Ward, detail of ‘Providence Spirits (Gold)’, U.S. currency edges, cowrie shells, wooden rolling ladders, gold powder, gel medium, indelible ink, and overproof white rum on canvas stretched over wood panel, 96 x 96 inches, 2017.

Agnes Denes at Socrates Sculpture Park

With its view of Manhattan just across the East River, Long Island City’s tranquil Socrates Sculpture Park plays perfect host to Agnes Denes’ ‘Living Pyramid.’ Created from wood and soil, flowers and grasses in the form of some of the world’s earliest monumental architecture, it’s a provocative foil to the city’s skyscrapers. (Though August 30th).

Agnes Denes, The Living Pyramid, flowers, grasses, soil, wood, paint, 30 x 30 x 30 feet, 2015.

Heinz Mack at Sperone Westwater Gallery

As a founder of the post-war European ‘Zero’ Group, Heinz Mack explored the effects of light and various reflective materials in an attempt to take his art back to an experimental stage, or conceptual ground zero. Here, a ‘light relief’ sends the eye shooting around a surface of raised patterns as the light conditions and reflections in the gallery define the viewing experience. (At Sperone Westwater Gallery on the Lower East Side through Dec 13th).

Licht-Relief (Pyramide), aluminum and wood, 29 1/8 x 34 x 2 5/8 inches, 2004.