Karon Davis at Deitch Projects

In her impressive New York solo show debut, Karon Davis transforms Deitch Projects’ cavernous SoHo space into the 1969 Chicago courtroom in which Bobby Seale stood trial bound and gagged.  Before a plaster cast of the Black Panther leader, a towering bench houses a replica of Judge Julius Hoffman, who Davis describes in the trial as ‘brutal and monstrous.’  Here, on the gallery’s elevated platform, a row of jurors looks on impassively, isolated in red and blue cases that disengage them with the scene unfolding before them.  (On view in SoHo through April 24th).

Karon Davis, Jury Member #3, plaster bandages, plaster, glass-eyes, steel, acrylic, plywood, white paint, 70 x 22 x 22 inches.

Madeline Donahue at Steven Harvey Fine Art Projects

A mother’s body becomes a playground for her baby, whose sense of curiosity and play ignores boundaries in Madeline Donahue’s humorous paintings at Steven Harvey Fine Art Projects.  Shifts in scale turn a mom into a giant as baby uses her hair like climbing rope; in other pieces, Donahue creates curving or angular geometric compositions from the antics of her exploring offspring.  Through it all, the paintings charm with their sense of humor, patience and stoicism.  (On view on the Lower East Side through Oct 5th).

Madeline Donahue, Untitled, oil on canvas, 20 x 16 inches, 2019.

Barton Benes at Allan Stone Projects

Books are bound with covers of cigarettes or melted crayons, studded with nails like a fetish object or stuffed with garbage in Allan Stone Projects’ exhibition of Barton Benes’ book sculptures. This book from c. 72-74 is at the mercy of a giant safety pin, perhaps holding the book together, keeping it closed or treating it like a punk or a diapered baby? (On view in Chelsea through Feb 24th).

Barton Benes, Untitled (Book with Safety Pin), mixed media book construction, 3 x 6 x 3 inches, c. 1972-74.

Charlotte Moorman in ‘The (Partial) Autobiography of an Art Gallery’ at Leslie Tonkonow Artworks and Projects

Charlotte Moorman’s renown as a performing artist who bridged the worlds of fine art and music via her cello is represented by her neon instrument from 1989. (At Leslie Tonkonow Artworks and Projects in Chelsea through August 25th).

Charlotte Moorman, Neon Cello, acrylic and neon, 50 x 16 x 13 inches, 1989.

Susan Lichtman at Steven Harvey Fine Art Projects

The canvas barely manages to contain an angled view of a screened window by painter Susan Lichtman, reflecting an outdoor scene from her Massachusetts home. With one window panel opening toward viewers, the painting appears to project itself into Steven Harvey Fine Art Project’s narrow gallery space, an arresting and dynamic move that belies an apparently tranquil domestic scene. (On the Lower East Side through July 15th).

Susan Lichtman, Cookout, oil on linen, 64 x 58 inches, 2016.