ektor garcia in ‘garcia, Raina, Shore, Tossin’ at Luhring Augustine

ektor garcia’s ‘portal (guadalajara)’ connects not only to his upbringing by female relatives who supported the family in Mexico and the U.S. with their skill at crochet but also to the earth in its warm, terracotta color.  In another piece, a long slim panel of oxidized copper lined with crochet artificial sinew speaks to the building value of minerals derived from the land and its feminized embellishment while his ‘chainmale’ glazed ceramics resemble metal links but are crafted from a more fragile material.  (On view in ‘garcia, Raina, Shore, Tossin’ at Luhring Augustine Gallery in Chelsea through August 16th).

ektor garcia, portal (Guadalajara), crochet leather cord, copper tubing, suede, dimensions variable, 2018.

Katharina Grosse at Gagosian Gallery

From the depths of Katharina Grosse’s huge abstractions, shapes materialize and invite interpretation. The Berlin-based artist describes her new works as “portals to a small room, where all the color has been crammed into a tiny space.” Peering into these openings is an intense optical experience. (At Gagosian Gallery’s 24th Street Chelsea location through March 11th).

Katharina Grosse, Untitled, acrylic on canvas, 117 11/16 x 79 ½ inches, 2016.
Katharina Grosse, Untitled, acrylic on canvas, 117 11/16 x 79 ½ inches, 2016.

Daniel Heidkamp at Derek Eller Gallery

The huge portal dominating Daniel Heidkamp’s hotel room painting leads us into more than we might expect. From what looks to be one of the Maritime Hotel’s distinctive windows, Heidkamp shuffles the New York skyline and offers glimpses of a ballet rehearsal in a building that only exists in this painting. It feels surprisingly daring to rearrange New York’s built environment and particularly appropriate as construction booms in the city. (At Derek Eller Gallery through Feb 5th).

Daniel Heidkamp, Dreams, oil on linen, 96 x 72 inches, 2016.
Daniel Heidkamp, Dreams, oil on linen, 96 x 72 inches, 2016.