Tag: pop art

Chryssa at the Dia Foundation

When she arrived in New York from Athens, young Greek artist Chryssa was so taken by Times Square that she was inspired to create assemblages from neon and signage that capture the color and excitement of street life.  Stocked with loans from MoMA, the Walker Art Center and other major museums, the artist’s first show in the US since the 80s, now at the Dia Foundation in Chelsea, makes a strong case for her importance to New York’s downtown art scene in the 60s and 70s. Resembling a combination of street signs and printing plates for mass publication, Chryssa’s Americanoom suggests or actually includes words (‘zoom,’ ‘run,’ ‘new,’ and ‘café’) that give voice to a bustling city. (On view through July 23rd).

Chryssa, Americanoom, aluminum, steel, stainless steel and neon, 1963.

Kay Kurt at Albertz Benda

Collectors might metaphorically salivate after coveted artworks, but the feeling turns literal in sight of Kay Kurt’s intense, realist renderings of candy. At six feet high and eleven feet long, this assortment of hard candies brings to mind the flavors of childhood while treating each piece as its own perfectly formed sculptural object. (At Albertz Benda in Chelsea through Feb 16th).

Kay Kurt, Hallelujah, oil on linen, 72 x 132 inches, 1995-2016.
Kay Kurt, Hallelujah, oil on linen, 72 x 132 inches, 1995-2016.

Roy Lichtenstein at Castelli Gallery

Like finding shapes in the clouds or interpreting a Rorschach inkblot, Roy Lichtenstein’s brushstroke head sculptures from 1987 build a portrait from a few well-placed marks. Though she’s derived from Pop Art and Abstract Expressionist painting techniques, this blond muse rejects painting altogether, manifesting as a 3-D bronze sculpture. (At Castelli Gallery through Jan 28th).

Roy Lichtenstein, Brushstroke Head II, painted and patinated bronze, 28 7/8 x 13 ¼ inches, 1987.
Roy Lichtenstein, Brushstroke Head II, painted and patinated bronze, 28 7/8 x 13 ¼ inches, 1987.

Don Nice at Driscoll Babcock Galleries

Realist painter Don Nice pairs soda pop and pop corn in a Warholian consideration of the allure of brightly packaged processed food. These two paintings hang side by side in Nice’s current show at Driscoll Babcock Galleries, as if arranged for our viewing and eating pleasure. (In Chelsea through Aug 12th).

Don Nice, Coke Can and Popcorn, both oil on canvas, 24 x 18 inches, 2015.
Don Nice, Coke Can and Popcorn, both oil on canvas, 24 x 18 inches, 2015.

Tom Wesselman at Mitchell-Innes & Nash

Mitchell-Innes & Nash gallery in Chelsea aims to prove that iconic Pop artist Tom Wesselman was not only a pioneer of pop culture imagery, but a technical innovator, from collaging billboard cutouts onto canvas to molding plastic paintings. Here, Smoker reminds us that Wesselman also used shaped canvases to isolate forms that here, make supposedly seductive lips look troubling. (In Chelsea through May 28th).

Tom Wesselmann, Smoker #14, oil on canvas, 101 x 114 inches, 1974.
Tom Wesselmann, Smoker #14, oil on canvas, 101 x 114 inches, 1974.