Tony Cragg at Lisson Gallery

Protesters and police clash in a blaze of color in British sculptor Tony Cragg’s 1987 piece ‘Riot’ a sculptural installation running the length of one of Lisson Gallery’s Chelsea spaces.  Forty years ago, Cragg made a name for himself with artworks and installations composed of found plastic elements, a material that lacked the associations carried by more traditional media like bronze, marble or wood.  Inspired by social unrest in ‘80s Britain, Cragg employs a modern material, fragmented and formerly discarded, to illustrate conflict between citizen and state. (On view in Chelsea through April 15th).

Tony Cragg, detail of installation of Riot, 1987 at Lisson Gallery in Chelsea, March ’23.

Tara Donovan at Pace Gallery

Masses of everyday objects (pencils, cups, index cards) transform into wondrous landscapes, creatures and more in Tara Donovan’s labor-intensive sculptural practice, but her latest show at Pace Gallery elicits awe at purely abstract forms.  Black drinking straws by the thousands create subtle patterned surfaces in the main gallery while manipulated wire screens dipped in ink demonstrate the endless possibilities of transformation on a grid.  The show’s centerpiece is the most interactive, causing visitors to circle around a sphere composed of slim plastic cylinders in an attempt to reconcile how light can make hard plastic appear soft and fuzzy.  (On view at Pace Gallery through March 6th).

Tara Donovan, Sphere, PETG, 6’ x 6’ x 6’, 2020.

Shari Mendelson at Tibor de Nagy Gallery

The centuries and cultural divides melt away like hot glue in Brooklyn sculptor Shari Mendelson’s replicas of ancient artifacts from China, Egypt, Mesopotamia and elsewhere at Tibor de Nagy Gallery.  Using plastic bottles gathered near her studio, Mendelson cuts and glues together forms, using acrylic resin to make patinas that transform trash into ancient artworks.  Here, she creates a Tang Dynasty court lady from recognizable consumer plastics, subtly nodding to the material’s long life.  (On view on the Lower East Side through Dec 5th).

Shari Mendelson, Praying Lotus Woman, repurposed plastic and mixed media, 17 x 10 x 11 inches, 2020.

Tony Cragg in ‘Spectrum’ at Lisson Gallery

Conflict is at the heart of Tony Cragg’s 1983 sculpture ‘Spectrum,’ from which Lisson Gallery’s new summer show takes its title.  Beautiful in its variety of color and inspired by the natural phenomenon of the color spectrum, it was assembled from sea plastic found on the shore, a decidedly ugly and unnatural phenomenon.  Part of a series, this iteration spreads objects out on the floor like a carefully presented anthropological display that implicates throw-away culture.  (On view in Chelsea Mon-Thurs, 11am – 4pm through August 27th. Masks and social distancing are required and visitor numbers are limited to 10 at a time.)

Tony Cragg, Spectrum, plastic, 255 7/9 x 137 ¾ inches, 1983

Leo Amino at David Zwirner Gallery

Underappreciated despite showing at the Met and MoMA, the career of late 20th century cast resin pioneer and direct carving innovator Leo Amino is attracting new attention thanks to a handsome show at David Zwirner Gallery.  Fascinating as translucent objects, alluring for their bold colors, Amino’s block-like resin sculptures are a draw, along with a bird-like form crafted in wood and encased in resin and totemic carved wood forms.   (On view on 20th Street in Chelsea by appointment).

Leo Amino, Refractional #85, polyester resin, 13 x 13 x 13 inches, 1972.