Pieter Hugo at Yossi Milo Gallery

Invited by curator Francisco Berzunza to make new work to show in Mexico on the themes of sex and death, South African photographer Pieter Hugo spent months meeting people from all walks of life including this community theater group formed by sanitation workers in Oaxaca de Juarez.  Here, they reenact a scene from a mural painted in the 50s by David Alfaro Siqueiros at Chapultepec Castle, bringing revolutionary attitudes into the present day.  (On view at Chelsea’s Yossi Milo Gallery through Feb 29th).

Pieter Hugo, After Siqueiros, Oaxaca de Juarez, archival pigment print, 47 1/8 x 63 inches, 2018.

Pieter Hugo at Yossi Milo Gallery

Are children born in Rwanda after the genocide freer, having not had their lives disrupted by that violence? How will their understanding of history impact their lives? South African photographer Pieter Hugo asked these questions while also questioning the post-Apartheid legacy of his own children and their generation in a series of photos at Chelsea’s Yossi Milo Gallery. Here, the landscape and its histories act as backdrop to a portrait of a self-possessed young person. (On view through March 4th).

Pieter Hugo, Portrait #9, Rwanda, digital C-Print, 47 ¼ inches x 63 inches, 2015.

Pieter Hugo at Yossi Milo Gallery

Known for his sobering photographic visions of modern Africa (including his reknowned hyena keeping minstel series), South African photographer Pieter Hugo’s new photo series ‘Kin’ brings him closer to home as he depicts South African citizens whose lives have been marked by the legacy of Apartheid.  (At Chelsea’s Yossi Milo Gallery through Oct 19th).  

Pieter Hugo, Mimi Afrika, Wheatland Farm, Graaff Reinet, digital c-print, 2013.