John O’Connor at Pierogi Gallery

John O’Connor’s enticingly colorful drawings at Pierogi Gallery’s Chelsea popup take viewers down the rabbit hole into surreal scenarios told with endlessly inventive typography and icons.  Here, the eye-grabbing ‘Car Crash’ pictures a fictional multi-car pileup in which cars of lesser value crash into increasingly more expensive vehicles, starting with a Honda Civic and reaching a Lotus and continuing with fictional cars (Dukes of Hazzard, Flintstones).  O’Connor explains that the spiraling drawing represents the transfer of kinetic energy from car to car, a stand-in for a transfer of wealth from the poor to the rich.  At the center of this dynamic, pulsing vortex is a worm hole, ready to transport cars, viewers and all into another place and time. (On view at 524 West 19th Street through Feb 10th).

John O’Connor, Car Crash, colored pencil and graphite on paper, 85 x 69.75 inches, 2023.

Ward Shelley and Douglas Paulson at Pierogi Gallery

Boxes are stacked floor to ceiling and charts dominate a claustrophobic space introduced as ‘The Truth Workshop,’ an installation by artists Ward Shelley and Douglas Paulson at Pierogi Gallery.  The artists conceived this drably colored, overwhelmingly crowded room as the place where the secretive powers-that-be concoct what the public will believe to be truth.  Stacked boxes labeled ‘Fake News Homeruns,’ or ‘Classic Inside Jobs’ house the juicy details of manufactured truths while rows of books with titles like ‘Trashing the Planet’ offer instruction on nefarious activities.  (On view on the Lower East Side through Oct 11th. Appointments are not necessary.  Masks and social distancing are required.)

Ward Shelley and Douglas Paulson, installation view of ‘The Room Where it Happened,’ at Pierogi Gallery, Sept 2020.

Jonathan Schipper at Pierogi Gallery

A charred tree trunk overtaken by a crystalline-looking mass or spreading fungal growth dominates Pierogi Gallery’s Lower East Side space.  At close range, the lightly colored substance materializes into thousands of tiny 3-D printed human figures locked in what could be combat or an interconnected embrace, acting out love-hate relationships en masse.  With the piece, New York State artist Jonathan Schipper contemplates the consequences of human drives, specifically consumption, that come at the cost of our habitat.  (On view on the Lower East Side through Jan 12th).

Jonathan Schipper, At Any Given Moment, wood, UV cured resin, approx. 53 (h) x 131 (w) x 55 (d) inches, 2019.

Meredith Allen in ‘Les Fleur du Mal’ at Pierogi Gallery

Summer takes a slightly sinister turn at Pierogi Gallery’s ‘Les Fleur du Mal’ group show; here, a photo from the late Williamsburg gallery scene stalwart Meredith Allen’s ‘Melting Ice Pops’ series documents a Pokemon treat as it morphs into a dripping demon.  (On view on the Lower East Side through Aug 4th).

Meredith Allen, Moriches Island Road, Pokemon, C-print, 18 x 22 inches, 1999.

Patrick Jacobs in ‘Double Down’ at Pierogi Gallery

Patrick Jacobs – known for meticulously crafted dioramas set into the wall – offers another marvelously detailed scene in Pierogi Gallery’s summer group show ‘Double Down,’ which features artwork that involves doubling. Here, a toilet and its reflection suggest plumbing abundance in otherwise cramped quarters. (On the Lower East Side through August 12th).

Patrick Jacobs, ‘Two Heads Are Better Than One,’ styrene, cast neoprene, paper, polyurethane foam, ash, talc, starch, acrylate, vinyl film, copper, wood, steel, lighting, BK7 glass, interior box: 12.5 (H) x 14 (W) x 9.25 (D) inches, 2017.