By passing polarized light through scrolled and bunched transparent films, German artist Martin Klimas creates an enticing abstraction in an array of tones and colors. (On view at Foley Gallery on the Lower East Side through Feb 18th).
In a sequence of six photos by South African artist Robin Rhode, an acrobatic mathematician contorts his body to project a ‘Lute of Pythagoras,’ a series of pentagrams locked together in pleasing mathematical proportion. At the gallery entrance, Rhode quotes Swiss architect and urban planner Le Corbusier’s assertion that humanity attempts to save itself from chaos through geometry. Rhode’s efforts to better humanity by joining art and geometry feel poignantly quixotic. (On view at Lehmann Maupin Gallery in Chelsea through Feb 24th).
Art can be playful but doesn’t often involve play; Scott Alario’s images of an alien invasion – enacted with his young son – result in photos like this arresting image of a Star Wars limited edition cereal box used as avatar and shield. (On view at Kristen Lorello Gallery on the Lower East Side through Jan 27th).
Italian photographer Luca Campigotto’s cityscapes are bold and bright, though they’re shot after dark. Humans don’t feature much in the images yet our presence is felt through ubiquitous lights left on for safety, decoration, advertising and nighttime living. Here, Hong Kong glows with the intensity of over seven million lives being led and lit below. (On view at Laurence Miller Gallery through Feb 24th).
Wang Ningde’s ‘Form of Light’ images, currently on view at Bryce Wolkowitz Gallery in Chelsea, appear to be photos but fool the eye. From straight on, thin strips of photographic film disappear and visitors see only the projection of images underneath, arranged via projection software to synch with the gallery’s light sources. (On view through Feb 17th).