Laura Larson in ‘Citings/Sightings’ at Lennon, Weinberg, Inc.

Spirit photographs from the 19th century and paranormal events from the more recent past have inspired Brooklyn-based photographer Laura Larson. In an image titled ‘Ecstasy,’ we’re tantalized by what might be going on behind the subject’s turned back in this strangely clinical, classroom-like environment. (At Chelsea’s Lennon, Weinberg, Inc through Sept 16th).

Laura Larson, Ecstasy, 30 x 44 inches, archival inkjet print, 2016.Laura Larson in ‘Citings/Sightings’ at Lennon, Weinberg, Inc.

Dionisio Gonzalez at Galerie Richard

Spanish photographer Dionisio Gonzelez ignites the imagination with ideas for redeveloping New York’s skyline, were money no object. Instead of envisioning skyscrapers, Gonzalez proposes connected rooftop parks and walkways that create green space for all. Here, transit routes converge near Central Park on Fifth Ave. (On the Lower East Side at Galerie Richard through August 27th).

Dionisio Gonzalez, Dialectical Landscape 7, 40 x 40 inches, digital printing on cotton paper mounted on dibond and framed in white, 2017.


Myoung Ho Lee at Yossi Milo Gallery

Studio portraits and landscape photography merge in Myoung Ho Lee’s series of trees in Mongolia and Korea, set against a white canvas backdrop. Lee digitally removes ropes and assistants, suggesting a less mediated encounter with a solitary and wonderful product of nature. (At Yossi Milo Gallery in Chelsea through Aug 25th).

Myoung Ho Lee, Tree…#9, archival inkjet print, 15 ¾ x 22 1/8 inches (image), 2017.

Samuel Gratacap in ‘Notions of Home’ at Yancey Richardson Gallery

Shot at Choucha, a Tunisian transit camp that has been a temporary home to hundreds of thousands of refugees, Samuel Gratacap’s stark image of cobbled-together UN tents speaks to the innovation and desperation of camp inhabitants. (At Yancey Richardson Gallery in Chelsea through Aug 25th).

Samuel Gratacap, Empire, refugee camp of Choucha (Tunisia, 2012 – 14), archival pigment print, 22 3/8 x 23 inches.

Harold Feinstein in ‘I Scream, You Scream’ at Robert Mann Gallery

Robert Mann Gallery’s ice-cream themed summer group show runs the gamut from glossy commercial images of fake ice cream to this gritty 1950s shot by Harold Feinstein of New York urchins enjoying a treat while Christ appears to ‘let the little children come to him’ in the background. (In ‘I Scream, You Scream’ at Robert Mann Gallery through August 18th).

Harold Feinstein, Storefront Christ and Children, NYC, silver print, 14 x 11 inches, 1951.