Carey Young at Paula Cooper Gallery

Google Her Honour Judge Barbara Mensah, the first Circuit Judge of African origin in England and Wales when appointed in ’05, and animated pictures will pop up of her speaking at a podium or posing in her robes and white judges’ wig.  In front of Carey Young’s camera, however, Judge Mensah sits almost motionless, making steady eye contact with us, a larger-than-life presence who seems to be waiting for us to speak.  She is one of fifteen female judges from the UK who are featured in the video ‘Appearance,’ now on view at Paula Cooper Gallery in Chelsea, a title which doesn’t just refer to a court appearance but to the appearance of the judges who sit on the bench and embody the law.  Closeups of jewelry, hair and shoes highlight the individuality of each judge.  By celebrating ‘women in control of justice,’ as she puts it, Young points to the diversity she sees in the current legal system and her hopes for the future.  (On view through Feb 17th).

Carey Young, still from Appearance, single-channel HD video (from 4K); 16:9 format, color, silent, duration: 49 min, 30 sec, 2023.

Eric N. Mack at Paula Cooper Gallery

Eric N. Mack calls himself a painter whose medium is fabric – new work at Paula Cooper Gallery in Chelsea is mostly hung on stretchers that support not canvas but collaged fabric fragments.  Like painting, Mack’s work foregrounds color and pattern, but the artist doesn’t add these elements to the canvas, rather he encounters them as found materials.  Instead of creating transparency and texture from paint, these are qualities of the surface itself.  Sourced from divergent origins – Mack might use fabric from couture clothing or neighborhood markets – the artist collapses quality distinctions in his dynamic abstractions.  (On view through Dec 22nd in Chelsea).

Eric N. Mack, Strewn Sitbon, fabric on aluminum stretcher, overall: 41 x 34 ½ x 6 inches, 2023.

Jay DeFeo at Paula Cooper Gallery

After completing her iconic 2,000+ lb painting ‘The Rose,’ in 1966, Bay Area artist Jay DeFeo delved into photography, creating the 70 photographs, collages and photocopies now on view at Paula Cooper Gallery in Chelsea.  Like ‘The Rose,’ DeFeo’s photographs feature complex textures, moody tonal contrasts and nature-related imagery in straight shots of mushrooms on a fallen tree or chemigrams – abstract images created in the darkroom.  Among the representational works, a single resting hand seen from the side or a section of an illuminated lampshade pictured from below against a black background convey stillness while this powerful shot of rushing water embodies nature’s dynamism and power.  (On view in Chelsea through Oct 28th).

Jay DeFeo, Untitled, gelatin silver print, 6 x 8 7/8 inches, 1973.

Cecily Brown on The Brooklyn Rail and from New York Art Tours Archive

Figures emerge and recede in Cecily Brown’s energetic gestural expressionism; this Nov ’17 photo from New York Art Tour’s archives features a face so subtle it seems to have emerged by chance from the drips and lines of paints surrounding it.  It’s a great moment to catch up with Brown’s latest work on Instagram @dellyrose – where she’s been posting paintings featuring far more direct characters – and via The Brooklyn Rail’s daily live lunchtime conversation tomorrow, April 1st with Jason Rosenfeld, Editor-at-large. (Access is free and by Zoom.  Visit Eventbrite to book).

Cecily Brown, detail from Sirens and Shipwrecks and Bathers and the Band, oil on linen, 97 x 151 x 1.5 inches, 2016.

Liz Glynn at Paula Cooper Gallery

Dramatic and monumental, Rodin’s 1890s sculpture of Balzac is a figure set apart. LA sculptor Liz Glynn changed the character’s remote quality during a 2-day performance/workshop at LACMA, during which she cast several of the museum’s Rodin bronzes and recombined them to striking effect. Here, a face from Rodin’s Burghers of Calais joins Balzac’s in a dual portrait that suggests strong emotion. (At Chelsea’s Paula Cooper Gallery through Feb 11th).

Liz Glynn, (detail) Untitled (after Balzac, with Burgher), bronze, 2014.
Liz Glynn, (detail) Untitled (after Balzac, with Burgher), bronze, 2014.