Maria Berrio at Praxis International Art

Young Columbian artist Maria Berrio envisions harmony between humans and nature in richly patterned Japanese paper collages that delight the senses. In this detail, a lush landscape is setting to a thoughtful folkloric character perfectly at home as human and monkey habitat merge. (On view at Praxis International Art in Chelsea through Oct 28th).

Maria Berrio, (detail of )The Demiurge, collage with Japanese paper and watercolor on canvas, 60 x 72 inches, 2016.

Nathalie Boutte at Yossi Milo Gallery

French artist Nathalie Boutte captures the allure of the unknown past in her collage recreations of 19th century daguerreotypes and historical photos. Here, Boutte remakes Seydou Keita’s well-known 1958 portrait of a hip young Malian man using strips of paper covered with varying amounts of text. The effect (seen here in detail) is to blur Keita’s sharply clear image, suggesting that the passage of time diminishes the potential to see the subject clearly. (At Yossi Milo Gallery in Chelsea through Oct 21st).

Nathalie Boutte, (detail of) Jeune homme a la fleur rouge, collage of Japanese paper, ink, 29 3/8 x 18 inches, unique, 2016.

Mark Bradford at Hauser & Wirth Gallery

LA artist Mark Bradford takes full advantage of his new affiliation with Hauser & Wirth Gallery and their huge gallery space with this piece, titled ‘Waterfall.’ Bradford is known for embedding cords and other materials in his paper-on-canvas artworks; here, he has pulled thick cords away from his ‘paintings,’ bringing the paper with them. Hung over a rafter, the cascade gives new life to action painting. (In Chelsea through Dec 23rd).

 Mark Bradford, Waterfall, mixed media, dimensions variable, 2015.

Simon Schubert at Foley Gallery

Edgar Allan Poe’s stern face dominates one very dark wall of graphite drawings by German artist Simon Schubert at the Lower East Side’s Foley Gallery; on the other, a series of white paper ‘drawings’ are folded to create the lines that picture a staircase with a ghostly figure. The sense of a benign, ghostly presence is palpable. (Through Oct 18th).

Simon Schubert, Untitled (Stairs with Figure), 39.5 x 27.5 inches, 2015.

Teppei Kaneuji at Jane Lombard Gallery

Originally inspired by a coffee stain on paper, Kyoto-based artist Teppei Kaneuji elaborated on this Dagwood-esque sandwich to the point of amusing absurdity. Here he combines pieces of wood and plastic food in a mix of ‘natural’ and ‘fake’ that conveys the fun of stacking blocks and the specter of excess calorie consumption. (At Jane Lombard Gallery through Oct 17th).

Teppei Kaneuji, Muddy Stream from a Mug (Sandwich), coffee, paper, wood, plastic objects, urethane resin, 19 ½ x 12 x 10 inches, 2015.