French artist Nathalie Boutte captures the allure of the unknown past in her collage recreations of 19th century daguerreotypes and historical photos. Here, Boutte remakes Seydou Keita’s well-known 1958 portrait of a hip young Malian man using strips of paper covered with varying amounts of text. The effect (seen here in detail) is to blur Keita’s sharply clear image, suggesting that the passage of time diminishes the potential to see the subject clearly. (At Yossi Milo Gallery in Chelsea through Oct 21st).
Mark Bradford, Waterfall, mixed media, dimensions variable, 2015.
Edgar Allan Poe’s stern face dominates one very dark wall of graphite drawings by German artist Simon Schubert at the Lower East Side’s Foley Gallery; on the other, a series of white paper ‘drawings’ are folded to create the lines that picture a staircase with a ghostly figure. The sense of a benign, ghostly presence is palpable. (Through Oct 18th).
Originally inspired by a coffee stain on paper, Kyoto-based artist Teppei Kaneuji elaborated on this Dagwood-esque sandwich to the point of amusing absurdity. Here he combines pieces of wood and plastic food in a mix of ‘natural’ and ‘fake’ that conveys the fun of stacking blocks and the specter of excess calorie consumption. (At Jane Lombard Gallery through Oct 17th).
Known for graphite-on-paper drawings of trees, Massachusetts-based artist Sandra Allen creates an almost abstract, immensely powerful image from the trunk of a tree in ‘Ballast’ from 2009. (At Danese Corey through July 31st).