Vickie Vainionpää at The Hole NYC

Citing the “mysterious and utterly sensual paintability of CGI,” Montreal-based artist Vickie Vainionpää combines digital and traditional art-making with her hand-painted renderings of alluring, digitally-generated forms.  A new body of oil on canvas paintings and an immersive video at The Hole in Tribeca from her continuing ‘Soft Body Dynamics’ series feature thick, undulating tubes of color winding through space.  Like reflective mylar party balloons, the upper squiggle feels celebratory while the lower, intestine-like duct is slightly visceral though the palette brings cotton candy to mind.  (On view through June 18th).

Vickie Vainionpää, Soft Body Dynamics 73, oil on canvas, 58 x 48 inches, 2022.

Caroline Larsen at The Hole NYC

Caroline Larsen’s paintings are a deliberate tour-de-force of low-brow associations, resembling latch-hook or embroidery, created by squeezing oil paint through pastry bags and mounted on cheap wall coverings. Seemingly designed to test whether there’s any fertile ground left in the fine art vs kitsch debate, they deliberately elude the kind of transcendence that this majestic mountainscape might suggest. (At The Hole NYC through July 24th).

Caroline Larsen, Diamond Back, oil on canvas over board, 37 x 47 inches, 2016.
Caroline Larsen, Diamond Back, oil on canvas over board, 37 x 47 inches, 2016.

Leslie Wayne at Jack Shainman Gallery

Leslie Wayne’s new series ‘Paint/Rag’ demonstrates how it’s possible to make a painting made from paint alone. By troweling colors one on top of the other on a surface of wet paint, then folding the sheet, Wayne creates gorgeous drapes of solid color. (At Jack Shainman Gallery’s 24th Street location through March 22nd).

Leslie Wayne, Paint/Rag #31, oil on panel, 14 x 9 x 4 ½ inches, 2013.