Melvin Edwards at City Hall Park

Known for semi-abstract and often small-scale sculpture including the ‘Lynch Fragments’ series recently on view at the New Museum, Melvin Edwards takes over the south entrance to City Hall Park via Public Art Fund with this large-scale sculpture depicting broken chains.  Titled ‘Brighter Days’ the exhibition’s curving minimal forms enhances the attractiveness of the message displayed – freedom from bondage.  (On view through Nov 28th).

Melvin Edwards, ‘Song of the Broken Chains’ in installation view of ‘Brighter Days’ at City Hall Park, summer 2021.

John Chiara at Yossi Milo Gallery

Using a homemade camera positioned in the back of a pickup truck, John Chiara records unique images onto paper prepared as a negative, creating otherworldly photos that challenge our sense of time and place.  Occasionally, a new skyscraper will loom in the background or a streetlight will invade the scene, making it undeniably contemporary, as in this East Village view.  But without storefronts or people, and under a fiery sky, Chiara’s scenes turn Manhattan into a glowing landscape of intrigue. (On view at Yossi Milo Gallery in Chelsea through Oct 27th).

John Chiara, East 2nd Street at Avenue C, negative chromogenic photograph, approx. 50 x 40 inches, unique, 2018.

Stan Douglas at David Zwirner Gallery

A faintly reflected man in a white shirt and tie looks on while a hand fondles jewels in the window of a looted shop in photographer Stan Douglas’ careful staging of a hypothetical New York City blackout.  Strangely calm, the scene suggests looting as leisure activity and – given the man’s gaze – as potential romantic encounter.  (On view at David Zwirner Gallery’s 525 West 19th Street location through April 7th).

Stan Douglas, Jewels, digital chromogenic print mounted on Dibond aluminum, 36 x 36 inches, 2017.

Holly Coulis at Klaus von Nichtssagend Gallery

Holly Coulis’s latest paintings feature kitchenware, fruits and foods with a clean-lined graphic sensibility. Strong red outlines and softly glowing orbs of light take the still lives into another realm, however, making the familiar delightfully strange. (At Klaus von Nichtssagend Gallery on the Lower East Side through Dec 6th).

 Holly Coulis, Fruit, Pitcher in a Corner, oil on canvas, 30 x 22 inches, 2015.

Mark Bradford at Hauser & Wirth Gallery

LA artist Mark Bradford takes full advantage of his new affiliation with Hauser & Wirth Gallery and their huge gallery space with this piece, titled ‘Waterfall.’ Bradford is known for embedding cords and other materials in his paper-on-canvas artworks; here, he has pulled thick cords away from his ‘paintings,’ bringing the paper with them. Hung over a rafter, the cascade gives new life to action painting. (In Chelsea through Dec 23rd).

 Mark Bradford, Waterfall, mixed media, dimensions variable, 2015.