Harold Feinstein in ‘I Scream, You Scream’ at Robert Mann Gallery

Robert Mann Gallery’s ice-cream themed summer group show runs the gamut from glossy commercial images of fake ice cream to this gritty 1950s shot by Harold Feinstein of New York urchins enjoying a treat while Christ appears to ‘let the little children come to him’ in the background. (In ‘I Scream, You Scream’ at Robert Mann Gallery through August 18th).

Harold Feinstein, Storefront Christ and Children, NYC, silver print, 14 x 11 inches, 1951.

Mairead O’hEocha at Callicoon Fine Arts

Mairead O’hEocha’s floral still life evokes paintings by 17th/18th century painter Rachel Ruysch while offering a more abstracted take on the genre. Flowers from around the world which may have bloomed at different times combined in the Netherlands to testify to Dutch trade power. Here, the rose at center signals waning strength as it begins to lose its petals. (At Callicoon Fine Arts hosting mothers tankstation limited, Dublin, for Condo New York on the Lower East Side through July 28th).

Mairead O’hEocha, Bouquet with Rose after Rachel Ruysch, oil on board, 31 ½ x 24 ½ inches, 2017.

Anne Neukamp at Marlborough Contemporary

Anne Neukamp’s post-analogue paintings picture office tools in large-scale, graphically simple images that look as if they’ve been composed in digital space, yet are manifest before us in oil, tempera and linen. Titled ‘Morsel,’ this tantalizing icon offers a puzzle piece and a mystery envelope, dangling meaning in front of viewers. (At Chelsea’s Marlborough Contemporary through June 24th).

Anne Neukamp, Morsel, oil, tempera, acrylic on linen, 39 3/8 x 31 ½ inches, 2017.

Yoonmi Nam in ‘New Prints’ at the International Print Center New York

It’ll be no problem to ‘Please recycle this bag,’ in this case, as artwork. Yoonmi Nam’s plastic carrier bags are in fact lithographs on gampi paper containing not plastic food containers but glazed slipcast porcelain. They subvert the notion of disposability powerfully. (At the International Print Center’s ‘New Prints 2017/Winter’ exhibition through April 1st).

Yoonmi Nam, Take Out (Thank You for Your Patronage), lithograph on gampi paper and glazed slipcast porcelain. Edition: unique, 2016. And Take Out (Thank You Gracias), 2015.

Nathaniel de Large at 247365

The chemical smell of ‘Stockpot’ – a Porta potty on rockers – hits immediately at Nathaniel de Large’s solo show at 247365 on the Lower East Side.   This surprising sculpture opens a show inspired by de Large’s time spent camping in a Brooklyn parking lot. Further in, the artist displays a puffer jacket the size of a camper (which serves as a screening room) and freshly poured concrete ‘sidewalks’ into which friends have carved their marks. (On view through March 10th).

Nathaniel de Large, Stockpot, Porta potty, steel, aluminum, motor, shirt, concrete, 42 x 82 x 99 inches, 2017.