Apollinaria Broche at Marianne Boesky Gallery

To a soundtrack featuring readings from Charles Baudelaire’s ‘Flowers of Evil,’ Apollinaria Broche’s ceramic and bronze flowers strike gangly poses in her solo show at Marianne Boesky Gallery, exuding both wonky charm and maleficence.  Like an insect to nectar, viewers are drawn into the center of colorful ceramic flowers that feature tiny bronze sculptures – a winged horse, a contented-looking cat – of cavorting magical creatures.  More ominous figures – snakes, flies – appear as well, suggesting that the flowers inhabit a garden less welcoming than it first appears.  In this detail image of ‘I hid my tracks Spit out all my hair,’ skulls and daggers mingle with the seeds of this lush blossoming plant, summoning a specter of death and violence where it might least be expected.  (On view in Chelsea through Feb 24th.)

Apollinaria Broche, (detail) I hid my tracks Spit out all my air, glazed ceramic, bronze, 63 x 21 x 18 inches, 2023.

Gina Beavers at Marianne Boesky Gallery

Known for high-relief acrylic and foam paintings, Gina Beavers’ work on paper now at Chelsea’s Marianne Boesky Gallery still leaps off the surface, even though it’s fully 2-D.  Inspired by enticing ‘food porn’ images and ubiquitous makeup tutorials available on-line, Beavers combines the two here in ‘Hot Dog Nails.’ (On view through August 5th).

Gina Beavers, Hot Dog Nails, soft pastel on paper, 34 x 27 inches, 2022.

Ghada Amer at Marianne Boesky Gallery

“Do not fit into the glass slipper like Cinderella did, shatter the glass ceiling,” reads the text (quoting Indian actor Priyanka Chopra?) covering Ghada Amer’s portrait of her friend, Elizabeth.  Though Amer has changed her subjects from women in erotic magazines to friends, family and collaborators, she has not altered her habit of citing truisms from a feminist perspective.  Her latest Chelsea show – her first at Marianne Boesky Gallery – features texts intended to build up women and their capabilities.  (On view through Oct 23rd).

Ghada Amer, Portrait of Elizabeth, acrylic, embroidery, and gel medium on canvas, 2021.

William J. O’Brien in ‘A Thought Sublime’ at Marianne Boesky Gallery

Inspired by unschooled art and experimentation, artist and School of the Art Institute of Chicago ceramics professor William J. O’Brien presents a cluster of 42 ceramic spheres celebrating nonconformity and variety in Marianne Boesky Gallery’s summer group show.  Titled ‘Earth, Water, Fire, Wind & Space, Pt. 1,’ the installation is literally grounded yet aims to take the mind beyond the everyday.  (On view in Chelsea through Aug 6th).

William J. O’Brien, Earth, Water, Fire, Wind, and Space, Pt. 1, ceramic, dimensions variable, 42 ceramics, 2021.

Gina Beavers at Marianne Boesky Gallery

Gina Beavers’ tongue in cheek (or burger in eye) self-portrait at Chelsea’s Marianne Boesky Gallery pictures the artist literally becoming what she consumes online.  Inspired by the similarity of the images we look at via social media, be it enticing food or makeup tutorials, Beavers creates sculptural paintings that MoMA called ‘visceral, vexing, often grotesque…’ when she showed at the museum last year.  (On view through Oct 17th.   Masks and social distancing required and appointments recommended).

Gina Beavers, Self-Portrait with Burger Eye 2015, acrylic and linen on panel, 36 x 24 x 3 ½ inches, 2020.