Elizabeth Catlett at Burning in Water

In her late 80s, late American sculptor and printmaker Elizabeth Catlett created this arresting print, now a highlight of her mini-retrospective at Burning in Water gallery in Chelsea. Here, Catlett synthesizes influences from African art, European modernism and more in a portrait that feels both cutting edge and connected with early 20th century avant-garde art. (On view through Feb 3rd).

Elizabeth Catlett, Black Girl, Lithograph on paper, framed, 22 x 15 inches, 2004.

Yoonmi Nam in ‘New Prints’ at the International Print Center New York

It’ll be no problem to ‘Please recycle this bag,’ in this case, as artwork. Yoonmi Nam’s plastic carrier bags are in fact lithographs on gampi paper containing not plastic food containers but glazed slipcast porcelain. They subvert the notion of disposability powerfully. (At the International Print Center’s ‘New Prints 2017/Winter’ exhibition through April 1st).

Yoonmi Nam, Take Out (Thank You for Your Patronage), lithograph on gampi paper and glazed slipcast porcelain. Edition: unique, 2016. And Take Out (Thank You Gracias), 2015.

Robert Overby at Andrew Kreps Gallery

This washed out figure is a faded but haunting recurring image in Andrew Kreps Gallery’s retrospective of work by San Francisco-based artist and graphic designer Robert Overby. Based on a 16th century Madonna by Albrecht Durer, Mary’s imposing, weirdly angled eye suggests an oddly provocative madness. (In Chelsea through Oct 31st).

Robert Overby, detail of ONE EYED-GRID, offset lithograph on paper on plywood, 18 ½ x 14 ¾ inches, 1975.