Leidy Churchman at Matthew Marks Gallery

The “…in-between between everything” is New York-based painter Leidy Churchman’s focus in paintings once again on view at Chelsea’s reopened Matthew Marks Gallery.  Developed from Churchman’s own spiritual study and their concept of trans experience as inbetweenness, the new work features images that invite multiple interpretation, as in ‘Karma Kagyu & Essex Street,’ a vibrantly colored temple scene made transcendent by a screen of dots resembling snow or flashing light.  (On view through July 31st).

Leidy Churchman, Karma Kagyu & Essex Street (Yellow Studio)(Devotion), oil on linen, 79 x 102 inches, 2020.

Leidy Churchman in ‘Sputterances’ at Metro Pictures

Leidy Churchman’s carefully arranged giraffes in the group exhibition ‘Sputterances’ at Metro Pictures categorize nature into manageable options, here, small, medium and large. Titled ‘Free Delivery,’ the painting equates the animals with product consumption, coincidently offering a provocative comment on the huge on-line audience that watched April the giraffe give birth to a calf in an upstate animal park in recent weeks. (In Chelsea through April 22nd).

Leidy Churchman, Free Delivery, oil on linen, 54 x 81 inches, 2017.

Leidy Churchman at Murray Guy Gallery

New York artist Leidy Churchman considers what it means to be above it all, replicating a promotional picture for 432 Park Ave, the hemisphere’s tallest residential building (for now). Known for more its exclusivity than its architectural merit, Churchman turns the tower’s top floors into a glowing Olympian retreat. (At Chelsea’s Murray Guy through June 6th).

Leidy Churchman, Tallest Residential Tower in the Western Hemisphere, oil on linen, 72 x 60 inches, 2015.