Marti Cormand at Josee Bienvenu Gallery

This painting of a sculptural fragment by German modernist artist Emy Roeder, a man puzzling over an abstract sculpture, and a portrait head by German artist Edwin Sharff are all meticulously paintings by Marti Cormand of artworks labeled ‘degenerate’ by the Nazis during WWII. Displaying the images as a series of 5 x 7 inch ‘postcards’ downplays their radicality but emphasizes the fact that their aesthetic has been wholly assimilated into contemporary art. (At Josee Bienvenu Gallery through July 22nd).

Marti Cormand, installation view of ‘Postcards A – Z’ at Josee Bienvenu Gallery, through July 22nd.
Marti Cormand, installation view of ‘Postcards A – Z’ at Josee Bienvenu Gallery, through July 22nd.

Yuken Teruya at Josee Bienvenu Gallery

New York artist Yuken Teruya continues to craft amazingly meticulous works on paper from unlikely materials, including a series of floral growths from the front pages of the New York Times in his latest solo show. Here, a plant rises from a photo accompanying an article about illegal logging in the Amazon rainforest. (At Josee Bienvenu Gallery through April 11th.)

Yuken Teruya, Minding My Own Business (The New York Times, October 19, 2013), 9 newspapers, wire, glue, 2 x 12.5 x 12.5 inches, 2013-2015.

Jonathan Callan in ‘The Suspended Line’ at Josee Bienvenu Gallery

British artist Jonathan Callan’s serene white mountain range encases a selection of books on nature (including ‘All About Lions,’ and ‘Bird Neighbors’) in plaster, suppressing knowledge of nature in favor of imitating it. (In ‘The Suspended Line’ at Josee Bienvenu Gallery in Chelsea through Feb 28th).

Jonathan Callan, Range, paper and plaster, 33.85 x 21.25inches, 2012.