Jocelyn Hobbie at Fredericks and Freiser Gallery

Realist painter Jocelyn Hobbie continues to ponder female subjects in a profusion of patterns in her latest show at Fredericks & Freiser Gallery in Chelsea.  The title of this piece, ‘Hollyhock and Anemones,’ ignores the figure at center, suggesting that she’s competing for attention with other decorative elements of the painting.  Hobbie’s glowing skinned women radiate an unreal perfection; while painted in oil, they appear to have been created in the digital realm.  Positioning them in a no-man’s land of ambiguous space and purpose, Hobbie generates a seductive uncertain image.  (On view through Dec 22nd).

Jocelyn Hobbie, Hollyhock and Anemones, oil on canvas, 50 x 20 inches, 2018.

Jocelyn Hobbie at Fredericks & Freiser

Jocelyn Hobbie’s imaginary female figure is one step away from dissolving into the patterns that clothe and surround her; even her hair resembles wavy ribbons more than real locks. In the midst of all this visual input, the woman is a cipher, her far-away look suggesting she is only present physically. (At Fredericks & Freiser Gallery through June 18th).

Jocelyn Hobbie, Cobalt (Emerald), oil on canvas, 20 x 20 inches, 2016.
Jocelyn Hobbie, Cobalt (Emerald), oil on canvas, 20 x 20 inches, 2016.

Jocelyn Hobbie in ‘Unrealism Part I’ at Fredericks & Freiser

Known for painting distracted young women, Jocelyn Hobbie’s contribution to Fredericks & Freiser’s summer group exhibition his typical, but this time she’s engulfed in a sea of distracting patterns (she’s even eating a design) making the model one with her environment. (In Chelsea through July 24th).

Jocelyn Hobbie, Untitled, oil on canvas, 24 x 24 inches, 2014.