Gordon Parks at Jack Shainman Gallery

Granted access to Nation of Islam leadership and communities in 1963, Life photographer Gordon Parks shot remarkable images including this portrait of women’s leader Ethel Sharrieff. Now on view at Jack Shainman Gallery’s 24th Street location, the arresting show overviews selections from Parks’ lesser-known yet powerful series. (On view through Feb 10th).

Gordon Parks, Ethel Sharrieff, Chicago, Illinois, gelatin silver print, 20 x 16 inches, 1963.

Odili Donald Odita at Jack Shainman Gallery

Celebration is a synonym for freedom in Odili Donald Odita’s vibrant abstract paintings, canvases that act with joyous vitality against forces that would quiet and crush identity. (On view at Jack Shainman Gallery in Chelsea through Feb 10th).

Odili Donald Odita, Burning Sun, acrylic on canvas, 92 x 70 x 1 5/8 inches, 2017.

Nina Chanel Abney at Jack Shainman Gallery & Mary Boone Gallery

Nina Chanel Abney’s electrifying new paintings take gun violence, racial conflict, and protests turned violent as subject matter. Their dynamic jumble of forms echoes the constant stream of alarming news supplied 24/7 by the media. (Nina Chanel Abney is showing new work at Jack Shainman Gallery’s 20th Street location through Dec 20th and Mary Boone Gallery’s 24th Street location through Dec 22nd).

Nina Chanel Abney, detail of Untitled, acrylic and spray paint on canvas, 5 panels, 96 1/8 x 60 15/16 x 1 15/16, 2017.

Hayv Kahraman at Jack Shainman Gallery

When Hayv Kahraman fled Baghdad during the first Gulf War, one of the few non-essential items her family took was a mahaffa, a traditional fan woven from palm tree fronds. In recent works at Jack Shainman Gallery, the artist has woven her paintings together in strips that recall the fan, artfully combining different realities. (On view in Chelsea on 24th Street through Dec 20th).

Hayv Kahraman, Mnemonic Artifact, oil on linen, 60 x 90 inches, 2017.

Leslie Wayne at Jack Shainman Gallery

“Looking at art is a free experience,” says painter Leslie Wayne, meaning that it doesn’t have to cost a thing, but also questioning how freely we look at something new. The title piece for the show, ‘Free Experience,’ relies on the associations we bring to its colorful, patterned drapery of oil-skins that recalls flags, modernist textiles and more. (At Jack Shainman Gallery in Chelsea through Oct 21st).

Leslie Wayne, Free Experience, oil on wood, 28 ½ x 26 x 7 inches, 2015.