Amelia Toledo at Nara Roesler Gallery

After debuting its new Chelsea gallery space with a tantalizing series of two-week long exhibitions, Brazilian gallery Nara Roesler continues to impress with a career-survey exhibition of gorgeous work by the late Amelia Toledo.  Inspired by the participatory nature of Neo-Concrete art and a devotion to nature and the possibilities of color, Toledo’s multifarious career included installations consisting of hanging jute panels like this ‘Path of color.’ (On view through April 17th. Masks and social distancing required).

Amelia Toledo, Paths of color, 38 pieces of painted jute, c. 100 x 177 x 177 inches, 1999-2000.

Urs Fischer at Gagosian Gallery

Urs Fischer wants art to ‘do more than it does.’  With a team of software engineers and the input of choreographer Madeline Hollander, the New York-based Swiss artist sets out to surprise gallery visitors with a troupe of dancing office chairs, programmed to interact with each other and humans.  Dubbed ‘robotic sculptures,’ the chairs come across as sinister if they come up behind you but strangely cute from the front as they hover nearby, slowly swiveling their wheels like a dog wagging its tail.  Here, several engage in a group animation reminiscent of a chorus-line about to kick up its heels. (On view at Gagosian Gallery through Oct 13th).

Urs Fischer, installation view of ‘Play’ at Gagosian Gallery’s 522 West 21st Street location, September, 2018.

Mounir Fatmi at Jane Lombard Gallery

Moroccan-born artist Mounir Fatmi’s installation ‘Inside the Fire Circle’ offers the idea of literally jump starting conversation via his arrangement of jumper cables, typewriters and paper on which the public is invited to contribute thoughts. The centerpiece of a show that considers the limits of freedom, the installation suggests that self-expression can be risky. (On view at Jane Lombard Gallery through Oct 21st).

Mounir Fatmi, installation view of ‘Survival Signs’ at Jane Lombard Gallery, Sept 2017.

Yoko Ono at Andrea Rosen Gallery and Galerie Lelong

Don’t be surprised if the smell of coffee and the sound of breaking ceramics greet you on a visit to Yoko Ono’s two-gallery show at Chelsea’s Andrea Rosen Gallery and Galerie Lelong. The artist entices audience participation with free coffee and abundant materials. ‘Mend Piece’ suggests that fixing crockery will ‘mend the earth at the same time.’ (In Chelsea through Jan 23rd).

Yoko Ono, Mend Piece (Andrea Rosen Gallery, New York, 2015/2016), ceramic, glue, tape, scissors and twine, dimensions variable, 1966/2015.