Daniel Gordon in ‘Rose is a Rose is a Rose is a Rose’ at Jack Hanley Gallery

Taking flowers or nature as the theme for a summer group exhibition isn’t particularly original or necessarily avant-garde.  Still, nature’s beauty and uplift as symbol of regeneration is irresistible to audiences and to the curators of ‘A Rose is a Rose is a Rose’ at Jack Hanley Gallery, who apologetically admit that painting flowers is ‘embarrassing.’  This paper sculpture by Daniel Gordon, which recalls still lives throughout art history (think Cezanne and Matisse) and pushes the possibilities of photography as sculpture, suggests that the show’s organizers have nothing to worry about.  (On view on the Lower East Side through August 3rd).

Daniel Gordon, Poppies, Pitcher & Fruits, pigment prints, glue and wire, 41 x 51 x 18 inches, 2018.

Paulette Tavormina at Robert Mann Gallery

When a New York Times critic praised 18th century Spanish painter Luis Melendez’s intensely realist still life paintings at the National Gallery of Art in ’09, he was captivated by Melendez’s stunning ‘near-photographic verisimilitude.’ In her photographic homage to Melendez, New York photographer Paulette Tavormina closes the gap between painting and photo with assemblages of fruit, vegetables, meats and various kitchen items that extoll the beauty not only of Melendez’s work but of the bounty of the natural world. (At Robert Mann Gallery through March 21st).

Paulette Tavormina, Still Life with Jamon Iberico, after L. M., archival pigment print, 26 x 48 inches, 2014.

Daniel Gordon at Wallspace

Reconstructed images from the Internet form the basis for Brooklyn artist Daniel Gordon’s riotous digital still life collages at Chelsea’s Wallspace Gallery. Vivid color and abundant patterns rival Matisse’s most energetic interiors in this delightfully wacky artistic accumulation of imagery. (Through Dec 20th).

Daniel Gordon, Root Vegetables and Avocado Plant, chromogenic print, 60 x 50 inches, 2014.