Maria Calandra at Fredericks & Freiser Gallery

Red-orange skies appear to be ablaze in Maria Calandra’s landscape painting of Weir Island in Maine while her blue skies over Como, Italy are a tranquil color but feature roiling clouds.  Apocalyptic in their color and Mannerist in their elongated forms, Calandra’s paintings at Fredericks & Freiser Gallery are hallucinogenic visions that offer visual pleasure via their dynamic fluidity.  Here, Mont Sainte-Victoire, made famous by Paul Cezanne’s many images of the mountain near Aix-en-Provence, rises above a field of flowers and greenery that appears to be flowing up the mountain.  (On view in Chelsea through April 13th.)

Maria Calandra, Mont Sainte-Victoire, acrylic on linen, 2023.

Lindsay Adams in ‘Arcadia and Elsewhere’ at James Cohan Gallery

Spread over James Cohan Gallery’s three spaces, the immensely enjoyable group exhibition ‘Arcadia and Elsewhere’ features paintings of nature from the realist to the abstract, the mundane to the sublime.  Many pieces portray idyllic natural landscapes, other scenes get more complicated, especially when humans or their traces appear. Here, Lindsay Adams’ Lonely Fire excites feeling through the fiery tones of the background and the lush colors of individual flowers that stand apart from each other while contributing to a whole that speaks to the beauty of variety. (On view through Feb 10th).

Lindsay Adams, Lonely Fire, oil on canvas, 60 x 72 inches, 2023.

Kathrin Linkersdorff at Yossi Milo Gallery

German artist Kathrin Linkersdorff’s ‘Fairies,’ a series of vividly colored yet ethereal photographs of flowers now on view at Chelsea’s Yossi Milo Gallery, takes up the age-old concept of memento mori – a reminder of life’s brevity – with contemporary imagery of flowers.  While spending time working in Japan as an architect, Linkersdorff embraced her host country’s reverence for nature as well as the concept of wabi-sabi, or acceptance of imperfection and impermanence.  With both philosophies in mind, Linkersdorff dries flowers over long periods of time, extracting their pigment and reintroducing it into a liquid medium in which the flowers are suspended.  Resulting images like this one emphasize the delicacy and structure of the plants.  Pictured as if the pigments had suddenly dropped away from the petals, the artist suggests a magical deviation from expectation.  (On view through Oct 21st).

Kathrin Linkersdorff, Fairies, VI/3, archival pigment print on Hahnemuehle photo rag ultra smooth, 2021.

Sam Falls at 303 Gallery

Known for making paintings by leaving canvases outside to weather under careful arrangements of plants and scattered, colorful pigments, Sam Falls’ ceramics at 303 Gallery offer a more direct appreciation of the flora he depicts.  While the canvas works feature silhouettes of plants (created as the natural material blocks the pigments from reaching the canvas), the ceramics include plant life which has been rolled into the clay and burnt out in the kiln.  Falls then applies glazes which flow and fade to suggest memories of the original natural material.  At the center of this piece is a photo taken on instant film (a technology that, like its subject, enjoyed a limited lifespan) of flowers in Central Park, which he returned to and harvested once dead to include in the ceramic form.  (On view in Chelsea through July 28th).

Sam Falls, The Pool, Central Park, NYC, Fujifilm FP-100C45 instant film, glazed ceramic and glass, 14 3/8 x 13 ¼ x 2 1/8 inches, 2023.

Yayoi Kusama at David Zwirner Gallery

Giant steel flowers, undulating yellow and black polka dot pumpkins and a selection of over thirty vibrantly patterned paintings by Yayoi Kusama at David Zwirner Gallery deliver the delight and pleasure expected of the iconic Japanese artist’s work.  The daughter of plant nursery owners, nature has always played a role in Kusama’s over 60-year career; via flowers and plants, Kusama’s latest New York show presents a message of love for life, even as select painting titles allude to dark times and the difficulties of family life.  Three steel sculptures titled ‘I Spend Each Day Embracing Flowers’ is a natural background for selfies, enlisting gallery-goers in spreading Kusama’s upbeat message.  (On view in Chelsea through July 21st).

Yayoi Kusama, I Spend Each Day Embracing Flowers (foreground), stainless steel and urethane paint, 98 x 111 x 106 inches, 2023.