Matthew Fisher at Shrine Gallery

Matthew Fisher’s graphically pared down beach scenes at Shrine Gallery are as carefully arranged as a store-front display, puffy clouds even resembling cut-out, stage-set backgrounds.  Although the paintings suggest precise arrangements by an unseen hand, Fisher’s perspective is shaped by the understanding that nature predates and will survive humanity.  Here, ‘The Subject of a Dream’ features a dark void, presumably representing the earth, in which a fish and shell have been extracted from their natural context and offered as symbols for place.  Floating in space and outlined in a white border that further sets them apart, Fisher’s apparition makes the beach and its inhabitants strange, forcing a reevaluation of their existence in time and place. (On view in Tribeca through Aug 4th).

Matthew Fisher, The Subject of a Dream, acrylic on canvas, 2023.

Suellen Rocca at Matthew Marks Gallery

Suellen Rocca, a founding member of the short-lived but hugely influential group of Chicago artists known as ‘Hairy Who,’ adopted imagery from magazine ads, Sears Roebucks catalogues and other American pop culture sources, but her late-career work took on more personal meanings.  Several pieces in Matthew Marks Gallery’s exhibition of the late artist’s work in Chelsea include imagery relating to fish, which came to Rocca in a dream.  Fish seem to nurse like babies, breasts morph into fish and, in this painting, fish adorn the body of a deity-like multi-armed figure, picturing female power in terms of feeding, nurture and life.  (On view through Jan 29th.  Masks, social distancing and proof of vaccination required.)

Suellen Rocca, Departure, oil on canvas, 30 x 30 inches, 2012.

Michiko Kon at Robert Mann Gallery

Inspired by Surrealist Meret Oppenheim’s performance ‘Cannibal’s Feast,’ Japanese photographer Michiko Kon’s food-based sculptural creations from the 90s fascinate and disturb in equal measure.  This photo, currently on view at Robert Mann Gallery, showcases a boot crafted from ark clam shells and a real fish head.  By evoking luxury goods popular in pre-crash 90s Japan and creating them in perishable materials, Kon updates the vanitas genre for more recent times.  (On view through Oct 19th).

Michiko Kon, Ark Shells and Boot, platinum palladium print, 20 x 16 inches, 1996.

Abdoulaye Konate at Blain Southern

Inspired by his home country’s rich tradition of textile working, Malian artist Abdoulaye Konate employs colorful patterns, cut-out shapes and embroidery to depict a sea abundant with life.  As with many of his representational works, Konate alludes to social issues including the desertification of the country and the lack of access to clean water while he celebrates the beauty of its traditional fabrics and indigo dyes.  (On view at Blain Southern in Chelsea through June 15th).

Abdoulaye Konate, installation view of ‘Ocean, Mother and Life,’ textile, 118 1/8 x 229 7/8 inches, 2015.

Raymond Pettibon at David Zwirner Gallery

This comically alarmed puffer fish is apparently startled by the empathy of an unnamed individual; in a thought bubble, the fish remarks that ‘his great melancholy eyes swim in a mist of commiseration.’ As comment on warming seas and endangered wildlife, the painting pits emotion vs action. (At David Zwirner Gallery’s 519 West 19th Street location).

Raymond Pettibon, No Title (His great melancholy…), 44 x 30 ¼ inches, 2017.