Celeste Rapone at Marianne Boesky Gallery

Celeste Rapone’s dynamic paintings at Marianne Boesky Gallery create interest through the distortions of their mostly female central figures.  Viewers must first make sense of twisting limbs, then take in story-suggesting details which here include cough drop wrappers, a weed and a parking ticket at the bottom on the canvas.  Dressed in a pink track suit, the woman here appears to be an over-enthusiastic volunteer, digging a cavernous hole for a tiny oak sapling, all while somehow simultaneously standing in the hole and balancing on tippy-toe on a skinny wrought iron fence.  Interested in how women can ‘occupy impossible positions’ both literally and metaphorically, Rapone manifests complicated mental states in physical form.  (On view through June 11th).

Celeste Rapone, Muscle for Hire, oil on canvas, 67 x 67 inches, 2022.

Zoey Frank at Sugarlift

Social distancing is over in Zoey Frank’s 2021 painting ‘Pool Party,’ a standout in her current show at Chelsea’s Sugarlift Gallery.  More than nine feet tall, the canvas crowds in fifteen mostly female figures in a celebration of human interaction, from a gossipy interlude at bottom left to seniors enjoying a child at center.  (On view through June 26th.  Masks and social distancing required.)

Zoey Frank, Pool Party, oil on canvas, 114 x 96 inches, 2021.

Lois Dodd at Alexandre Gallery

Plants, ponds and (for a time) cows generated New York painter Lois Dodd’s subject matter as she painted the natural world in canvases that provocatively mix figuration and abstraction. This 1963 image, painted on summer vacation in Maine, continued Dodd’s studies in pattern, merging avant-garde painting style with bucolic pleasure. (At Alexandre Gallery in the 57th Street area, through Feb 25th).

Lois Dodd, Cows, oil on linen, 72 x 76 inches, 1963.
Lois Dodd, Cows, oil on linen, 72 x 76 inches, 1963.

Hannah van Bart at Marianne Boesky Gallery

Despite her assertive pose, Dutch painter Hannah van Bart’s enigmatic young lady appears to literally blend into the background as a shape-shifting wall the color of her dress manifests over her chest. (At Marianne Boesky Gallery through Feb 4th.)

Hannah van Bart, Untitled, oil on linen, 39 3/8 x 25 5/8 inches, 2016.
Hannah van Bart, Untitled, oil on linen, 39 3/8 x 25 5/8 inches, 2016.

Jesse Mockrin at Nathalie Karg Gallery

Inspired by art history and contemporary fashion, LA-based oil painter Jesse Mockrin offers glimpses of androgynous creatures with long necks, doll-like features and strangely bone-less fingers. (At Nathalie Karg Gallery on the Lower East Side through Dec 6th).

Jesse Mockrin, One Summer Day, oil on linen, 37 x 25 inches, 2016.
Jesse Mockrin, One Summer Day, oil on linen, 37 x 25 inches, 2016.