Self-identity and national identity are tightly bound in Cuban artist Yoan Capote’s politically inflected artworks. Here, Capote peeks out from behind his sculpture of Castro, made from door hinges gathered from Havana households, suggesting either an open or closed door. (At Chelsea’s Jack Shainman Gallery through July 10th).
Yoan Capote, Immanence, mixed media including hinges, wood doors, metal armature, 120 x 180 x 180 inches, 2015.