Lao Tongli in ‘Transitions’ at Chambers Fine Art

Lao Tongli’s organic forms stand out against a black background, suggesting that they populate some dark, interior space despite their color. Though they look like plant forms or stylized tree branches, their resemblance to blood vessels is appropriate, having been inspired by Tongli’s fathers’ long struggle with heart disease. (On view at Chambers Fine Art in Chelsea through Sept 2nd).

Lao Tongli, (detail of) Horizon, Positive Negative Zero Zero 03, ink and minerals on silk, 54 ¼ x 54 ½ x ½ inches, 2017.

Paul Sharits in ‘Infected Foot’ at Greene Naftali Gallery

Paul Sharits’ painting ‘Infected Foot III’ doesn’t regard the pain of others; we’re looking down at the purple, throbbing mass as if it’s our own. Beads and glistening cords of paint look as if they’d be part of a cheerier composition; instead, they add to the surprise of a rogue body part that threatens to bring down the whole. (At Greene Naftali Gallery through Feb 25th).

Paul Sharits, Foot Infection III, acrylic on purple Mylar, mixed media, foamcore attachment, 69 x 53 inches, 1982.
Paul Sharits, Foot Infection III, acrylic on purple Mylar, mixed media, foamcore attachment, 69 x 53 inches, 1982.