Stefan Rinck at Nino Mier Gallery

With only fossilized remains to go on, how do we know what dinosaurs actually looked like?  German sculptor Stefan Rinck asks (and answers) this tongue-in-cheek question to humorous effect in a show of stone sculpture featuring cute lizards, now on view at Nino Mier Gallery’s Tribeca space.  Though the ancient reptiles have been fashioned of even more ancient material – stones including sandstone, marble and limestone, their look is decidedly contemporary – some even sport Crocs.   In the case of ‘Baguettesaurier,’ a horned creature of polished diabase, who’s to say dinosaurs didn’t also pick up a baguette on the way home?  (On view through Dec 16th).

Stefan Rinck, Baguettesaurier, diabase, limestone, 31 ½ x 18 7/8 x 19 ¾ inches, 2023.

Allan McCollum at Mary Boone Gallery

Why do we collect objects? Whether it’s art, fossils or shoes, Allan McCollum suggests that we’re looking to fulfill greater needs. In this piece from 1991, currently on view at Mary Boone Gallery’s 24th Street location, McCollum presents cast copies of original bones from the Carnegie Museum, begging the question of what their collection and display means for human history. (On view through April 29th).

Allan McCollum, Collection of Two Hundred and Forty Lost Objects, dimensions variable (240), enamel/glass-fiber reinforced concrete, 1991.

Michael Riedel at David Zwirner Gallery

David Zwirner Gallery’s normally pristine white walls look as though they’ve been damaged by scraping; a closer look reveals that black markings are text fragments, printed onto posters that cover the walls of Michael Riedel’s latest solo show. Known for recycling text and image from his previous shows, Riedel takes the metaphor a step further by picturing animated dinosaur skeletons, creatures whose lives have been extended, in a sense, by being exhumed and put into the public realm again. (In Chelsea through March 25th).

Michael Riedel, Untitled (Art Material_Oviraptor), archival inkjet print mounted to aluminum honeycomb, vinyl, 99 1/8 x 113 1/8 x 1 5/8 inches (framed), 2015.
Michael Riedel, Untitled (Art Material_Oviraptor), archival inkjet print mounted to aluminum honeycomb, vinyl, 99 1/8 x 113 1/8 x 1 5/8 inches (framed), 2015.

Francis Upritchard and Martino Gamper at Anton Kern Gallery




Sculptor Francis Upritchard and her designer husband Martino Gamper ask in a collaborative installation of their respective work, just what you’d do if a scrawny spinosaurus were to run across your dining table? Gamper’s playful patterning and richly colored fabrics and Upritchard’s quirky dinosaur cast the scenario in whimsy and pull out a chair for us to join in. (At Anton Kern Gallerythrough Feb 20th).

Francis Upritchard, Paper Spinosaurous, papier-mache, metal armature and modeling, 30 x 101 9/16 x 18 1/8 inches, 2014. Martino Gamper, Black and White Table, linoleum, blockboard, walnut, 107 x ¾ x 39 2/3 inches, 2015. Ice Cream Chairs, steel structure and upholstery, 19 ½ x 15 ¾ x 32 ½ inches, 2015.


Alexander Tovborg at Nicelle Beauchene Gallery

Young Danish artist Alexander Tovborg painted one abstracted image of a dinosaur, turned it to the wall and from memory painted the next, creating this row of images that rely on memory and depict now extinct – yet gorgeously colored – creatures. (At Nicelle Beauchene Gallery on the Lower East Side through Dec 21st).

Alexander Tovborg, Eternal Feminine (I), felt, pastel crayon, acrylic and imitated gold leaf on wood panel, 48 x 36 inches, 2014.