Melissa Brown at Derek Eller Gallery

Real and virtual space combine in provocative ways in Melissa Brown’s new paintings at Derek Eller Gallery.  Inspired by routines that have been upended by the pandemic, Brown pictures include familiar New York haunts like the Met Museum but with digital distortions, and interior scenes that feature screens or mirrors to suggest portals into other worlds.  Here, a hand shifts two balls around in front of the window of an empty train overlooking the Brooklyn Bridge at sunset – a frenetic activity in a strangely quiet place.  (On view on the Lower East Side through Dec 19th.)

Melissa Brown, Commute, flashe, oil, acrylic on DiBond, 72 x 54 inches, 2020.

Alyson Shotz at Derek Eller Gallery

Alyson Shotz’s fascination with gravity, light, and other natural phenomenon continues in her current show of sculpture at Derek Eller Gallery. Textile-like sheets of electroplated metal disks hang from the ceiling, enticing visitors with their shiny iridescence.  Curling inward, they create shapes that resemble chrysalises while at the same time suggesting shed skin, another natural phenomenon signaling growth.  (On view on the Lower East Side through Oct 10th. Masks and social distancing are required and gallery capacity is limited.)

Alyson Shotz, installation view of Intricate Metamorphosis #1-6, plated carbon steel, various dimensions, 2020 in ‘The Small Clocks Run Wild’ at Derek Eller Gallery.

Mimi Lauter at Derek Eller Gallery

Titled ‘Devotional Flowers,’ Mimi Lauter’s show of soft pastel and oil pastel blooms at Derek Eller Gallery suggests mystical experience as a sunflower morphs into a blazing sun and landscape.  Critics have praised the young LA artist’s work as ‘enthralling’ and ‘rapturous.’  Today and tomorrow are the final days to test for yourself the transcendent power of Lauter’s petals. (On view on the Lower East Side through March 18th).

Mimi Lauter, Untitled, gouache, watercolor, soft pastel and oil pastel on paper, 11.5 x 8 inches, 2018.

William King at Derek Eller Gallery

With their squat bodies, long legs and tiny heads, William King’s sculpted caricatures of important men or at least self-important ones are a highlight of Derek Eller Gallery’s current group show. Arms akimbo, each seems to demand to know what’s going on, as if they don’t quite approve of the work of nearby paintings on clothing by Annabeth Marks, Annie Pearlman’s vivid abstractions and Rachel Eulena Williams’ stitched canvases. (On view on the Lower East Side through Feb 11th.)

William King, Red and Black, vinyl, aluminum, 73 x 37 x 17 inches, c. 1985.

David Kennedy Cutler at Derek Eller Gallery

David Kennedy Cutler pushes the idea of self-display by putting a scanned and printed effigy of himself in a vitrine in his latest solo show at Derek Eller Gallery. Wearing one of his signature plaid shirts, further enhanced by a kale and bread pattern, Kennedy Cutler refers to his role as consumer as the audience consumes his artwork. (On view on the Lower East Side through June 25th).

David Kennedy Cutler, Fourth Self, plywood, Plexiglas, dummy and wooden hammer, 76 x 22.5 x 18 inches, 2017.