Celebrated Pattern and Decoration artist Robert Kushner wears his heart on his sleeve in his latest solo show titled ‘I Heart Matisse’ at DC Moore Gallery in Chelsea. Strong pattern and bright color dominate still lives that include ceramics and textiles in his collection. By mentally inhabiting Henri Matisse’s light-drenched South of France style, Kushner not only pays homage but celebrates optimism and pleasure in nature and creativity. (On view through June 19th).
Both chance paint pours and deliberate, meticulous mark-making comprise Barbara Takenaga’s otherworldly abstractions at DC Moore Gallery. New, profuse forms suggest fireworks displays or the wonders of unseen life under a microscope. This small detail of a larger canvas sets paint swirls against hanging strings of beaded forms, two elements that would seem incompatible but which instead offer unexpected depth and an apparent glimpse into a mysterious world. (On view in Chelsea through Dec 23rd. Masks and social distancing required).
Music, 20th century design and the dingy tiles of New York’s Holland Tunnel have inspired New York-based painter Kevin Umana’s abstract canvases. Here, the artist nods to the award-winning film ‘If Beale Street Could Talk’ in the color scheme of this small, energetic, and fractured painting. (On view in Chelsea at DC Moore Gallery through August 8th).
Atmosphere, light conditions and seasons shift to absorbing effect in Vermont-based painter Eric Aho’s landscapes, sometimes in the same painting. In ‘Headwaters,’ white patches close to the painting’s surface appear to be effects of the waterfall, while at bottom left, water appears to both drop and rise from the side of the cascade. Perceptions alter as we look, creating a dynamic image that engages as it challenges interpretation. (On view at DCMoore Gallery through Nov 10th).
Though each painting in his first solo show at DC Moore Gallery is based on the torso of an eccentrically outfitted individual, Michael Stamm’s new paintings are remarkable diverse and inventive. Inspired by meetings with his therapist – with whom he avoided eye contact – Stamm’s headless characters offer enticing sartorial clues to identity. Here, the subject’s sweater contrasts a mountainous landscape above with licking flames below, connected by the French emblem translated, ‘it is established by God’s decree.’ (On view in Chelsea through Feb 3rd).
