Vik Muniz at Sikkema Jenkins & Co

Known for constructing replica of famous artworks from unlikely materials (a well-known image of Jackson Pollock rendered in drizzled chocolate, junk from a landfill arranged to resemble a Picasso painting), Vik Muniz’s latest exhibition at Chelsea’s Sikkema Jenkins & Co includes new images of American icons constructed from shredded US currency.  Sourced from the Federal Reserve Bank of New York, the bills are arranged to picture individuals including Harriet Tubman (whose image is scheduled to appear on the $20 bill staring in 2030) and the Lakota chief American Horse as well as images seen as representing the country, like the American eagle and this bison.  Once symbolic of the vast and fertile North American landscape, informed contemporary viewers might now see bison as victims of mass slaughter by European settlers. (On view in Chelsea through April 27th).

Vik Muniz, American Bison, after John James Audubon, Legal Tender, archival inkjet print, 40 x 49 ½ , 2024.
Vik Muniz, (detail) American Bison, after John James Audubon, Legal Tender, archival inkjet print, 40 x 49 ½ , 2024.

 

 

Nari Ward at Lehmann Maupin Gallery

The pyramid on the back of the U.S. dollar bill – symbolizing long lasting power – has been rendered in outlines of U.S. currency in this piece by Nari Ward (seen here in detail). The paper money edges are askew, however, suggesting an unsound structure, while cowry shells (once used as currency elsewhere in the world) create straight and sound lines. (At Lehman Maupin Gallery in Chelsea through August 25th).

Nari Ward, detail of ‘Providence Spirits (Gold)’, U.S. currency edges, cowrie shells, wooden rolling ladders, gold powder, gel medium, indelible ink, and overproof white rum on canvas stretched over wood panel, 96 x 96 inches, 2017.

Mark Wagner at Pavel Zoubok Gallery

Without cell phones at the signing of the Declaration of Independence, the founding fathers had to make do with paintings made after the fact. Not so in Mark Wagner’s imaginatively collaged ‘Wish You Were Here,’ in which he collages a scene from the back of the $2 bill with myriad fragments of $1 bills to portray George Washington through a different lens. (At Pavel Zoubok Gallery in Chelsea through Oct 15th).

Mark Wagner, Wish You Were Here (Signing of the Declaration of Independence), currency collage on panel, 18 x 24 inches, 2016.
Mark Wagner, Wish You Were Here (Signing of the Declaration of Independence), currency collage on panel, 18 x 24 inches, 2016.