Roy Nachum at A Hug From the Art World

Five huge photorealist portraits by Israeli-New Yorker Roy Nachum dominate the creatively titled Chelsea gallery ‘A Hug from the Art World.’ The sense of immediacy that their size generates in this compact space is amplified by expressionist painting on their surfaces.  At first puzzling for the contrast between styles, an upstairs video reveals the paintings to be layered portraits, collaborations between Nachum and blind makers like Rosie Lopez, pictured here.  Once explained, the portraits become fascinating expressions of self-representation.  (On view through May 7th).

Roy Nachum, Rosie Lopez, oil on canvas, 84 x 71 inches, 2015 – 2022.

Njideka Akunyili Crosby in ‘Side by Side’

Known for portrait-like works created with a range of materials and techniques from paint to photo transfer (like the image pictured here from a ’19 exhibition at David Zwirner Gallery), Njideka Akunyili Crosby recently simplified her procedure in paintings presented at last summer’s Venice Biennial.  Two of these are highlights of ‘Side By Side,’ a new on-line collaboration between David Zwirner Gallery and Victoria Miro Gallery for which the two galleries are presenting works via 3-D renderings by VortecXR.  Specifically addressing how to see artwork without being present in front of it, Side By Side showcases technology as much as the art, both of which are worth a look.

Njideka Akunyili Crosby, Nyado: The Thing Around Her Neck, acrylic, photographic transfers, color pencil, charcoal and collage on paper, 81 ½ x 81 ¾ inches, 2011.

John Ahearn in ‘Feedback’ at Marlborough Contemporary

Marlborough Contemporary’s summer group exhibition ‘Feedback’ includes a wall of painted fiberglass sculptures by John Ahearn & Rigoberto Torres as the show considers collaborative practices in art – in this case between artists and community residents. (On view in Chelsea through August 4th).

John Ahearn & Rigoberto Torres, Naiara, enamel on fiberglass, 65 x 19 x 9 inches, 2006-07.

RongRong and inri at Chambers Fine Art

To make work for the 2012 Echigo-Tsumari Art Triennial, photographers RongRong and inri packed up their family and moved from Beijing to rural Japan, creating timeless, ethereal black and white scenes shot in a 200-year-old house. (At Chambers Fine Art in Chelsea through Aug 20th).

RongRong and inri, Tsumari Story No 11-4, silver gelatin print, 46 ¾ x 58 ¼ inches, 2014.
RongRong and inri, Tsumari Story No 11-4, silver gelatin print, 46 ¾ x 58 ¼ inches, 2014.

Margot Bergman at Anton Kern Gallery

Chicago-based octogenarian Margot Bergman makes her New York solo debut with highly emotive, expressionist portraits created on canvases found in thrift stores and flea markets and reworked into double portraits. Here, a kindly, elderly face peers out from the forehead of a pouty-lipped blond, perhaps foretelling the younger woman’s future or portraying her internal voice. (At Chelsea’s Anton Kern Gallery through Aug 19th).

Margot Bergman, Wilma Rose, acrylic on found canvas, 30 x 24 inches, 2012.
Margot Bergman, Wilma Rose, acrylic on found canvas, 30 x 24 inches, 2012.