Jannis Kounellis at Gladstone Gallery

Describing himself as a ‘Greek man and an Italian artist,’ the late Jannis Kounellis was a founder of Arte Povera, a movement that emerged from the desire of post-war Italian artists to embrace materials more linked to everyday life than to fine art.  In this piece from 2016, Kounellis sourced outdoor sheds, placing them on beds of coals arranged in a grid around Gladstone Gallery’s spacious 21st Street location.  Iron panels line the walls, holding a rope and bent pieces of metal that resemble an alphabet.  Though not meant to be interpreted literally, Kounellis’ materials are evocative – coal suggesting fire and the wooden sheds standing in for fuel while looking like makeshift coffins.  Whether it’s the death of the industrial past hinted at by the old railway sheds or more contemporary losses, this somber installation acts as a reminder to pause and reflect.  (On view through Dec 23rd).

Jannis Kounellis, Untitled, iron panels, bent metal, metal hooks; iron panels, rope, metal hooks; antique wardrobes, coal, overall dimensions variable, 2016.

Fons Iannelli at Steven Kasher Gallery

After serving in the Naval Aviation Photographic Unit during WWII, Fons Iannelli returned to the States to establish a successful career photographing for McCall’s, Life, Fortune and other magazines. Alongside striking images of naval life, and later photos of efficient housewives shot for commercial purposes, Iannelli’s scenes from his 1946 Kentucky Coal Miner series, now on view at Chelsea’s Steven Kasher Gallery reveal the difficult circumstances of family life in the mining community. (On view through August 11th).

Fons Iannelli, Boy Smoking Cigarette (from the Kentucky Coal Miner series), Harlan County, KY, vintage gelatin silver print, printed ca. 1946, 10 ½ h x 10 ¼ w, 1946.

Peter Coolidge at Peter Blum Gallery

Peter Coolidge’s photos of coal seams in Germany’s industrial Ruhr region glint seductively, appealing to some as abstract compositions formed by nature. Yet not far from the surface is the understanding of coal’s powerful role in pollution and climate change, turning this coalface sinister. (At Peter Blum Gallery on 57th Street through Feb 4th).

Peter Coolidge, Coal Seam, Bergwerk Prosper-Haniel #5, pigment inkjet print, 57 x 50 inches, 2013.
Peter Coolidge, Coal Seam, Bergwerk Prosper-Haniel #5, pigment inkjet print, 57 x 50 inches, 2013.

Will Ryman at Paul Kasmin Gallery

Will Ryman has arranged thousands of paint brushes into soft wavy walls and planted huge metal flower sculptures on the Park Avenue malls, so the political subtext beneath his recent sculpture ‘The Situation Room’ at Chelsea’s Paul Kasmin Gallery comes as something of a surprise. Wanting to respond to the famous photos of the Obama administration watching the SEAL raid on Osama Bin Laden’s compound in 2011, Ryman recreated the scene in coal dust covered sculptures that appear suspended in time as if preserved by a fossil fuel-related Pompeiian disaster. (Through Oct 17th).

Will Ryman, The Situation Room, coal, fiberglass, wood, fabric, epoxy, 132 x 163 x 78 inches, 2014.