Paul Anthony Smith at Jack Shainman Gallery

Titled ‘Tradewinds,’ Paul Anthony Smith’s latest show of hand-worked photos at Jack Shainman Gallery celebrates home, memory and the act of celebration itself.  More contemplative than some of the artist’s images of parties and get-togethers, this image suggests thoughts as a kind of cloud-cover or camouflage around this young man.  Here, Smith’s signature picotage technique – involving a series of tiny rips on the surface of the image – becomes a kind of simultaneous damage and decoration.  (On view in Chelsea through April 3rd).

Paul Anthony Smith, detail of Islands #2, unique picotage with spray paint on inkjet print, mounted on museum board and sintra, 60 x 40 inches, 2020-21.

Olafur Eliasson with Acute Art

Is your garden too dry or your day too sunny?  Olafur Eliasson offers a solution in ‘Wunderkammer,’ a selection of augmented reality artwork available for download that includes a placeable raincloud complete with the sound of pattering raindrops.  A puffin, a rainbow, a ladybug and more join the cloud as part a recent project launched by the newly high profile AR Art platform Acute Art to allow participants to create their own ‘cabinet of curiosities.’

Olafur Eliasson’s cloud in ‘Wunderkammer’ with Acute Art.

Liza Lou & makers at #apartogether_art

Liza Lou is no stranger to communal art projects, having run studios in California and South Africa employing dozens of craftspeople to hand-make sheets of beads as seen in this textile piece at Lehmann Maupin Gallery from fall ‘18.  Now isolated in her studio by the pandemic, she’s launched #apartogether_art, an open invitation to the on-line community to take inspiration from childhood security blankets and make textiles using materials at hand.  With hundreds of postings, the project testifies to the ubiquity and diversity of the creative impulse.  (Also accessible via apartogether.com).

Pannus, oil paint on woven glass beads and thread, 89 x 95 x 6 inches (approximately overall), 2018.

Tomas Sanchez at Marlborough Contemporary

Nature is vast, mankind is tiny in Cuban painter Tomas Sanchez’s landscapes. Here, a solitary cloud patrols a wooded terrain conspicuously absent of humans. (On view at Marlborough Contemporary through Feb 10th).

Tomas Sanchez, Thought Cloud, acrylic on canvas, 78 x 98 inches, 2017.

Jennifer Nocon at Tracy Williams Ltd

Nature inspires LA-based artist Jennifer Nocon’s gorgeous ceramic and felt installation Sky Diamond, the centerpiece of her solo show at Chelsea’s Tracy Williams, Ltd. Stylized cloud illustrations on ceramic cloud shapes give forth blood-red, kelp-like jets of rain, making for a fascinating and slightly disturbing phenomenon. (Through Feb 14th).

Jennifer Nocon, Sky Diamonds, hand-dyed wool felt, ceramic clay, glaze, gold thread, 100 x 316 inches, 2014.