Brie Ruais at Albertz Benda Gallery

Brie Ruais’s signature approach to art involves manipulating a 130 lb pile (equivalent to the artist’s weight) of clay into flat rings of ceramic sculpture textured with finger and footprints.  Here, she varies her usual circular form with this knot-shaped piece in her current show at Albertz Benda Gallery.  The artist has called her work ‘Earth Art that takes place in the studio;’ in this sculpture, the relationship between the body and landscape speaks to interconnectedness.  (On view in Chelsea through Jan 22nd.)

Brie Ruais, Intertwining, 130lbs times two (Thief Knot), glazed and pigmented stoneware, hardware, 62 x 124 x 6 inches, 2021.

Marepe in ‘Tales of Manhattan’ at Anton Kern Gallery

Brazilian artist Marepe’s socially conscious practice thrives on contrasts between city and country, rich and poor, etc.; each of these five assemblages in Anton Kern Gallery’s 25-year anniversary show is collectively titled ‘caipira’ or ‘bumpkins’ and features a prominent heart drawn in pastel.  Set up like pins waiting to be bowled down, these unsuspecting folk appear to be especially vulnerable.  (On view at 16 East 55th Street through Aug 20th).

Marepe, Coracao, Caipira, clay pots, pastel, straw, 32 ¼ x 41 3/8 inches (5 pieces together), 2019.

Esteban Cabeza de Baca at Garth Greenan Gallery

Drawing on inspiration from his Spanish, Mexican, Apache and Zuni ancestry and the landscape of the American Southwest, Esteban Cabeza de Baca manifests spiritual and political concepts in paintings and sculpture now on view at Garth Greenan Gallery.  The clay outline of a human form set before a mountainous landscape in this painting ‘Vessels’ also exists as a sculpture in gallery.  Painted or in three dimensions, it signals an in-between state of existence, for Cabeza de Baca, a freedom in pursuing decolonized thought.  (On view through March 13th. Masks and social distancing required).

Esteban Cabeza de Baca, Vessels, acrylic on canvas, 60 x 60 inches, 2020.

Magdalena Suarez Frimkess at kaufmannrepetto.com

Though Minnie Mouse and other comic icons are a recurring subject for Magdalena Suarez Frimkess, they’re new every time she makes them.  This is apparent in this sculpture of Minnie holding a Prada bag and cocking her head thoughtfully to the side from Suarez Frimkess’ 2017 show at Kaufmann Repetto.  The gallery’s current on-line show of Suarez Frimkess’ features insights from the artist, more Minnies and diverse work that draws on art historical sources from Egyptian sculpture to pre-Columbian art.

Magdalena Suarez Frimkess, Untitled, ceramic, glaze, 8.25 x 4 x 3 inches, 2016.

Theo A. Rosenblum in ‘Clay Today’ at The Hole NYC

Ceramics get comic and weird in The Hole NYC’s sprawling exhibition of art made from clay.  Theo A. Rosenblum’s ‘King Carrot’ grins enthusiastically in the main gallery, setting the tone for a show that includes Alice Mackler’s amorphous female figures, a delinquent Bart Simpson portrait by FriendsWithYou and much, much more.  (On view on the Lower East Side through May 6th).

Theo A. Rosenblum, King Carrot, epoxy clay over wood and foam, acrylic paint, 52 x 38 x 38 inches, 2010.